With various online publications touting the next-best Tokyo event and influencers on TikTok and Instagram sharing trending cafes and restaurants, the freedom to explore the city’s many highlights has never been easier. While general gatherings are a great way to socialize and network, finding art or creator-focused activities in Tokyo has proved to be more difficult.

Luckily, this writer and artist has scoured the streets of Tokyo in search of the best activities and resources to pull inspiration from for your next artistic endeavor, whatever that may be.

1. Shop For Art Supplies

© Photo by Michele Tanabe

Prior to moving to Tokyo, I heavily relied on ordering art supplies from Amazon or making rare trips back home during the holidays to pick up colored pencils and markers. It wasn’t until I ventured out to Shinjuku in search of a proper watercolor sketchbook that I found Sekaido.

Sekaido is truly Tokyo’s mecca of art supply shops. Shinjuku’s flagship multi-story store is dedicated to serving artists at all levels of their creative careers.  Each floor is dedicated to a specific type of art or craft, and one can spend hours browsing through their massive selection.

At Sekaido, you’ll find items such as: 

• Acrylic, oil and gouache paints
• Watercolor paper, paints and pencils
• Paint brushes of all types, including Japanese calligraphy brushes
• Pre-stretched and primed canvas in varying sizes 
• Assorted sketchbooks and paper types
• Pencils, charcoal, erasers, sharpeners and shading products
• Manga and comic inking supplies
• Markers, soft pastels, chalk pastels, crayons and crafting clay

For artists who aren’t fussed over specific supplies and are looking for something basic, I recommend stationery staples like Muji, Loft or Tokyu Hands. These shops make it easy to find grab-and-go products such as markers, notebooks, craft paper and other basic art supplies. For an extended list of places to check out, see our article Where To Find Art Supplies in Tokyo.

2. Take A Trip To An Art Exhibition

© Photo by iStock: South_agency

One of the best ways to get the ballpoint pen rolling is to venture into urban Tokyo and visit an art exhibition. I often enjoy taking a solo trip when I’m stuck on a concept for a painting or drawing.

One spot I frequent is the National Art Center, Tokyo or NACT.  Here you’ll find a fast-rotating schedule of art installations surrounded by dreamy architecture that one can’t help but pull inspiration from. Currently, two special exhibitions are on display at NACT, available for viewing until mid-December:

• Prism of the Real: Making Art in Japan 1989-2010: Until Mon, Dec. 8, 2025
• ​​Bvlgari Kaleidos: Colors, Cultures and Crafts: Until Mon, Dec. 15, 2025

With exhibitions like these, and many more shared in Savvy’s very own Tokyo Art Scene articles, you’ll be filled to the brim with ideas for your next project. If you want an extended list of places to frequent, check out our list of Tokyo’s Top 10 Art Museums, Tokyo’s Top 10 Offbeat Museums, 10 Interactive Art Museums To Visit In & Around Tokyo, and 7 Free Art Galleries in Ginza.

3. Share Your Work Through Competitions

© Photo by iStock: mixetto

Although somewhat intimidating, sharing your work is a great way to showcase your art while connecting with others who share the same interests. If you’re a competitive person and eager to showcase your creations, I suggest exploring the numerous competitions available both in Japan and internationally.

Listed below are a few contests and events you can submit your work to:

• Kyoto Writing Competition (English Application)
• Tokyo Midtown Award Art Competition (Japanese Application)
• Canon Graphgate Photo Contest (Japanese Application)
• Boit! International Illustration Contest (English Application)
• Ploughshares Emerging Writers Contest (English Application)

Our friends at GaijinPot also host an art/photo contest at their annual GaijinPot Expo, offering cash prizes to the winners. Anyone in any Japanese prefecture can apply, so keep an eye out for the next submission period to open.

4. Attend An Art Event Or Sketch Meetup

© Photo by iStock: recep-bg

If a competition isn’t up your alley but you still want to share your work, an art event or sketch meetup is a great way to collaborate, create and socialize!

I recently attended a live sketching event through a Meetup group called Art Jammers. At their most recent event, I had the opportunity to sketch the surrounding nature and city architecture while making friends with people who share my interest in drawing. At the end of our session, we shared our work and highlighted things we liked in each other’s pieces.

© Photo by Michele Tanabe

I walked away from that event with newfound motivation and even pocketed useful tips from experienced sketchers to help improve my drawing skills!

Artedly Tokyo‘s monthly meetups are also a great resource for those looking to connect with Tokyo’s creatives in a more casual setting. Not only that, but Artdely helps connect artists and photographers with cafe exhibitions at a low cost. If you’re looking for a way to display your art, this is definitely worth considering.

5. Participate In An Art Class

© Photo by Art Bar

Classes are ideal for budding artists who prefer learning under the guidance of an instructor. Even advanced artists can benefit from classes when learning a new medium, say, transitioning from acrylic to oil paints. Add a little alcohol to the mix, and you’ve got ArtBar.  

Artbar is Tokyo’s first “paint & sip” studio that offers classes on varying styles, such as paint pouring, gold accents, impressionism and recreating famous works of art like Monet’s famous water lilies. Many of Artbar’s instructors are also fluent in English and classes are offered frequently for those with busy schedules.

For those interested in delving into figure drawing with a live model, consider attending the Wednesday Night Sketch Club hosted at the BnA Hotel in Nihonbashi. Co-founder Keigo Fukugaki is fully bilingual and welcomes artists from all walks of life and levels. Ticket prices include a drink, supplies and model fees.

Tokyo might initially shy away from showcasing its artistic side, but those who seek it will eventually find their way into the creative world when they are ready and willing.

While you’ve likely visited Tokyo Station’s teeming Tokyo Character Street or the towering multilevel Harajuku Kiddyland, the initial allure of your favorite character-themed shops may have dulled over time. Though I’ll always cherish the calming presence of Rilakkuma or the irresistible Sanrio collaborations that possess an uncanny ability to drain my bank account with a single glance, there’s an undeniable thrill of discovering something new. It’s through these discoveries we can rekindle the initial spark that attracted us to sub-genres of Japan’s kawaii culture, so if you’re ready to find an adorable face to love or perhaps create the beginnings of a new collection, read on for 10 unique character shops in Tokyo.

1. Aranzi Aronzo

© Photo by Michele Tanabe

Starting in 1991, this niche character shop covers all the bases when it comes to variety. Offering soothing yet weird and addicting characters stamped on everything from stationary to bolts of fabric, there’s no way you’ll leave this shop empty-handed. Whether you fall in love with a cuddly white rabbit or lock eyes with a comforting kappa, there’s something for everyone here. You can visit this adorable shopfront in Minami Aoyama or on the forth floor of Tokyo Solamachi. Don’t forget to ask for a stamp card, I know you’ll be back.

Address: 3-14-8 Minamiaoyama, Minato City, Tokyo

2. Craftholic

© Photo by Craftholic

Ready to pacify that lifelong search for an animal-shaped pillow that’s been stretched out like goo? Look no further! Craftholic has all your otherworldly body pillow needs and more! This character shop focuses on the cute and cuddly. You might find yourself either irresistibly blinded or magnetically drawn to the bursts of bright pastels. Choosing between a rabbit-shaped tissue box—where you can pull out tissues from its stomach—or the perfect pouch may be challenging. Either way, if you appreciate soft textures and relaxing faces, this is the place to shop. Visit Craftholic’s Jiyugaoka storefront next time you’re in the area.

Address: Tsujita Building 1F-BF, 2−9−2 Jiyugaoka, Meguro City, Tokyo

3. Alice on Wednesday

© Photo by Michele Tanabe

Keep your eyes peeled during your next visit to Harajuku. If you spot a white rabbit or a tiny door, you might just stumble down or into the curious world of Alice in Wonderland. Just a few blocks from the neighborhood’s busiest intersection, Alice on Wednesday awaits. The shop is devoted to Alice-themed treats, rabbit and card motifs and Cheshire Cat sweets. This is your one-stop shop for dreamy Wonderland-themed gifts. Venture through the shop’s tiny door upon arrival and savor the journey.

Address: 6-28-3 Jingumae, Shibuya City, Tokyo

4. Omocha Spiral

© Photo by Michele Tanabe

Transport back in time by stepping into Harajuku’s Omocha Spiral. Packed from floor to ceiling with cherished favorites such as Polly Pockets, Bratz Dolls, Furbies, Trolls and The Powerpuff Girls, a fond childhood memory is bound to resurface. Whether you’re searching for elusive 90s memorabilia or simply looking to peruse, you’ll rediscover your inner child in this hidden gem buried in the backstreets of Harajuku.

Address: Nagata Building A-1, 3−27-17, Jingumae, Shibuya City, Tokyo

5. Cave

© Photo by Cave

It seems like almost everyone has that frog-obsessed friend or family member, perhaps you’re the frog person! Don’t worry, this isn’t a personal attack; I too have a soft spot for frogs—Keroppi will always be my favorite Sanrio character. Yet, all frog enthusiasts need a haven, and this might be your calling to head to Kichijoji and enter Cave, the frog-themed mecca. Find everything from household decor, such as an ideal cheerful frog to place in your garden, to a similar frog-shaped coin purse you’ve seen Naruto sporting. Visiting is indeed an experience, and who knows, you may find a new amphibian bestie to gift or add to your collection.

Address: 2-26-1 Kichijoji Honcho, Musashino, Tokyo

6. Dear Bear Meguro

© Photo by Dear Bear Meguro

It’s hard to imagine a place dedicated solely to teddy bears and bear-adjacent goods, but this is Tokyo we’re talking about. If one thing’s certain, this city will unquestionably spawn that one-of-a-kind shop. In this case, it’s Dear Bear Meguro. Tucked carefully in pristine glass cases, you’ll encounter some of the rarest of bears. Not only that but the shop offers other animal-themed merchandise. Oh, and their exclusive teddy bear clothing is to die for! Don’t tell anyone, but I’ve heard some of the clothes fit Duffy bears too!

Address: 2−13-29, Kamiosaki, Shinagawa City, Tokyo

7. Project 1/6

© Photo by Michele Tanabe

For an alternative twist from the classic teddy bear, Project1/6 boasts one of the most extensive collections of Bearbricks I’ve ever seen! For those unfamiliar, Brearbrick is a brand of high-end collectible toys. These bears can be likened to a mashup of a Lego character and a gummy bear, but regardless, their cuteness is undeniable. Collecting them gets dangerously addicting! In this Shibuya shop, you can explore a display of super rare Bearbrick memorabilia and perhaps even acquire your own.

Address: Majin Building 1F, 37−10, Udagawacho, Shibuya City, Tokyo

8. Rabbit Department

© Photo by Michele Tanabe

We’ve covered a variety of animals in this article, but don’t worry—if you’re more inclined toward bunnies and Alice on Wednesday didn’t capture your interest, Rabbit Department has crafted a comfortable haven for all of our beloved rabbit and bunny characters. Situated on the first floor of Shinjuku’s Marui Annex, Rabbit Department offers a great selection of Miffy products, stationary, jewelry and original art. The shop’s layout cultivates a stress-free atmosphere, perfect for casual browsing; you might just stumble upon something that catches your eye!

Address: 3-1-26 Shinjuku, Shinjuku City, Tokyo

9. Sylvanian Families

© Photo by Michele Tanabe

It wasn’t until I moved to Japan that I came face to face with the adorable figures of Sylvanian Families. You may have also encountered these charming animals through the Sylvaniandrama TikTok, where hilarious and dramatic scenes are played out between the characters. Regardless of whether you’re familiar or not, these toys are too cute to pass up. Whether you plan on starting a collection or simply like to admire them from afar, Sylvanian Families, located in Ikebukuro’s Sunshine City, is a great place to find gifts for loved ones or yourself.

Address: Sunshine City 2F, 3−1−2, Higashi-Ikebukuro, Toshima City, Tokyo

10. Neko Action

© Photo by Neko Action

A niche shopping listicle isn’t complete without mentioning at least one cat-themed gift shop. While Tokyo has quite a few to offer, it’s the small businesses that tend to present the most sought-after goods accompanied by kind service. Thus, make sure to take a trip to Neko Action, located in the cat town Yanaka, for all your cat-themed merchandise needs. Next time you’re yearning to bask in all things cat-related, you know where to go!

Address: 3-10-5 Nishinippori, Arakawa City, Tokyo

Have you visited any of these character shops in Tokyo before? If so, share your thoughts

Taking the plunge to leave a job that doesn’t align with your values is a difficult choice. Yet, Bethany Nakamura’s choice to leave her corporate day job to move to Japan is a testament to the courage it takes to pursue one’s true calling. After relocating to teach English in the rural countryside of Shikoku for what was meant to be a temporary sabbatical, Nakamura found herself unexpectedly drawn back into design, eventually settling in an akiya (abandoned homes in Japan).

© Photo by Bethany Nakamura

In sharing her story, Bethany, also known as Bitsii, emphasizes the importance of finding value in the things around us. She shares her experience in sustainability and restoring abandoned homes in Japan.

How did you get into interior design and eventually move to Japan?

Growing up my dad ran a charity and my mom stayed home to care for us. We often moved in and out of houses, and most of the homes we lived in needed some extra care. I’d watch my mom patch up these homes and I eventually started to show an interest in it too, especially with paint colors. I honestly hated moving into these houses, but what I internalized from it was that there’s freedom and opportunity to change your home spaces. I concluded early on that I wanted to do interior design. Simultaneously, I stumbled on a VHS of Hayao Miyazaki’s Tottoro at a flea market. The story stayed with me and my interest in Japan began from that point on. Those two things were important constants in my life—my budding interest in Japan and my knack for design.

I eventually became an interior designer and worked for a big corporate company. Yet, I found myself working on projects that did not align with my values. As my mother would say, these jobs were not “life-giving.” Being a corporate zombie changed things for me. In the end, I decided to pull from my childhood curiosity to re-kindle my sense of self. This brought me on my path to moving to Japan.

Was the idea of living in an akiya already on your mind before coming to Japan? 

It was just something I had heard about, especially through YouTubers like Tokyo Llama or reading articles about ghost towns. There were also rumors going around that houses were being given away. Or occasions where if you lived in a house for five years, you’d eventually get it for free. It was all interesting, but I didn’t see myself getting into it. When I eventually arrived in Japan and did get into it, I thought it would be temporary, but it wasn’t.

How did you end up living in an abandoned home? 

I had only lived in Shikoku for six or seven months, and at the time I was living in a teacher’s apartment. By chance, through a neighborhood contact, I was given the opportunity to live in a very special house. I have experience in homeownership, so the idea of taking on a house like this was a little bit daunting. Especially one that I didn’t choose myself. Yet despite my hesitations, I walked into this house and knew right away that I had to stay.

Despite my hesitations, I walked into this house and I knew right away that I had to stay.

From the concrete floors in the genkan (entryway) area, and the different levels to the overall design, there was something incredibly moving and different about this place. Learning about the woman who had lived there before made me realize how special this home truly was. I knew I needed to spend time in this space and renovate what needed to be renovated.

Can you talk about the process of cleaning out your abandoned home? 

© Photo by Bethany Nakamura

In the beginning, it was a community affair. I had a lot of manpower with people coming in and out to help move things. However, there was still a lot of work in sifting through what was left. I ended up spending hours each day separating trash and sorting out the more precious items. I worried that I might be discarding something of significance, but thankfully, I had neighbors there to let me know if things were relevant to the local area or past owner.

We found old money, which was donated to a local shrine, kimono pattern books, ikebana (flower arrangement) supplies and even old photos. It was amazing to hold these photos in your hand and look across the street at the same scenes to see that so much had changed. One of the older neighbors pointed to a photo of an elementary school class and said “This teacher is my grandpa.” It struck me how close-knit this community was.

Did the home require any type of maintenance or renovation?

While it wasn’t necessary or a requirement to renovate, it was assumed that I’d maintain the home for everyday living. For the sake of keeping up the house, I was happy to put some money forward for things like replacing an electrical unit when I moved in or having the pipes fixed when they gave out.

While the first house didn’t require too much renovation even though it had been empty for 10 years, the second home I moved into had a kominka (a traditional Japanese house made from wood and clay) on the property which I plan on restoring in the future.

Was it difficult to balance Japanese and Western design elements?

© Photo by Maigo Mika

I had a lot of assumptions that were challenged or changed based on my lived experience in understanding how Japanese homes worked. After moving into my first home, I wanted to change the kitchen into an open concept, but what I learned by living in the space for a time was that it was purposefully segmented off to close doors for temperature control. I originally came in with visions of furnishing my new space with vintage Japanese furniture specifically curated from antique shops, but it turned out that I didn’t need too much furniture because this was a traditional Japanese home. In the end, I changed my mind on a lot of things.

How does the principle of “mottainai” guide your design? 

I think it’s important to shift our thinking when it comes to sustainability and embracing mottainai (the concept of not being wasteful). While sustainable products or building methods can seem like a good thing, in most cases, it’s more sustainable to do nothing.

“…in most cases, it’s more sustainable to do nothing”

As an interior designer, I believe we can use design to create healthy happy spaces that support our wellbeing, but I think we need to stop thinking we need to consume to show our identity. We can live in harmony in a space that already exists by making use of the items we already have. There’s an opportunity for us to be more intentional about our relationships with stuff. Making friends and living well with the items that surround us, especially the things that we may not have chosen in other circumstances, is a great way to do that.

There’s a growing interest in akiya in online spaces, what unique value do you bring to the online conversation?

© Photo by Bethany Nakamura

Construction, renovation and even interior design especially in leadership and corporate spaces tend to be male-dominated. It’s no surprise that akiya content online is also male-dominated. I’ve noticed that this content centers narratives around taking charge, making change, heavy construction, expressing one’s vision and extracting value. This is very much how the architectural construction perspective thinks.

“What I share is deeply personal and less about extracting value or taking charge.”

My uniqueness is that I’m intentionally very soft. What I share is deeply personal and less about extracting value or taking charge. I don’t need to take over or change something if it doesn’t need to be changed. My content may not have the sparkly before and after and it doesn’t glorify money. Instead, it takes a human-centric approach by being receptive and considerate of neighbors and the community.

Did you encounter any external pressure while pursuing your creative career path in Japan? How did you stay true to your vision?

© Photo by Bethany Nakamura

There’s a definite pressure to share my content responsibly and it’s something I think about often. I’ve also run into difficulties with my local community understanding what I’m doing because content creation can come off as self-promotional which contrasts traditional Japanese values. I just have to remind myself that I’m trying to help people find win-win housing solutions and I’m happy to present an image of how we can make living in abandoned homes in Japan a reality.

What advice can you give readers interested in buying or renting abandoned homes in Japan?

I think it’s important to live here for longer periods to fully understand our surroundings and living needs. We also need to get over the apples-to-apples comparisons; houses here are not the same as our home country. Ownership is also very different. When finding houses, arrangements can be flexible even through online resources like Akiya Banks. There are also benefits to talking to people and word of mouth. Who knows, maybe the house of your dreams may be uncovered by a neighbor you talked to in passing.

© Photo by Bethany Nakamura

Follow Bitsii’s YouTube channel and visit her website for everything from akiya restorations and DIY to life in rural Japan. For regular updates, follow Bitsii on her Instagram.

Savvy Spotlight is a monthly feature introducing foreign and Japanese women at the frontline of what’s successful, contributing, cool, unique and interesting in the city. If you have anyone in mind you would like us to interview, leave us a comment below with your recommendations!

Explore unique art exhibitions in Tokyo highlighting emerging talent and some of the world’s most relevant artists in this month’s Tokyo Art Scene. Whether you’re a fan of Matisse or yearning to find new and upcoming artists, Savvy’s got you covered.

Henri Matisse – Forms in Freedom

© Photo by Michele Tanabe

The National Art Center Tokyo has opened its doors to present the late Henri Matisse’s highly anticipated Forms in Freedom. This exhibition focuses on the artist’s colorful cutouts, a method he coined as “the eternal conflict of drawing and color.” See an array of works focusing on Matisse’s experimentation in various mediums including oil paintings, sculpture and much more. 

© Photo by Michele Tanabe

The exhibition is divided into sections, functioning like capsule portfolios. Each section focuses on a significant period in Matisse’s career. For instance, Section 1: Ways of Color shows Matisse’s early exploration of landscapes and oil paintings. Section 2: The Studios and Section 3: From Decor to Large Decorations, not only share recognizable works but also display Matisse’s lesser-known pieces. Specifically, the costumes designed for the Le Chant du Rossignol (The Song of the Nightengale) ballet.

© Photo by Michele Tanabe

In the latter half of Forms in Freedom, visitors will find the colorful large-scale mural: Flowers and Fruits. The mural uses painting gouache on paper and then cutting and pasting each painted piece onto white Canson paper. Museum guests can take photos from this point onward. The final installation offers an immersive experience, inviting individuals into a life-like replica of Matisse’s Rosary Chapel in Vence. The light flickering through stained glass windows onto the floor creates a reflective and transformative ambiance. It is said that the original chapel’s stained glass changes with the seasons and time of day.

Frontiers of Impressionism: Paintings from the Worcester Art Museum

© Photo by Tokyo Metropolitan Art Museum

Opportunities to see works from the world’s most famous painters in person are rare. For a limited time, Frontiers of Impressionism: Paintings from the Worcester Art Museum features works by Claude Monet, Pierre-Auguste Renoir and other notable impressionist artists. 

© Photo by Tokyo Metropolitan Art Museum

This showcase from the Worcester Art Museum is divided into five chapters. Each section centers on relevant themes and influential artists in the impressionist movement. Chapter 2, Paris and the Impressionists, features lesser-known works from Claude Monet. Monet’s use of color and contrast makes Customs Officer’s Cabin, Rouch Sea, a curious standout from his other more renowned paintings. Yet, it’s impossible to deny the magnetic allure of the famous: Water Lilies. With its subdued palette of soft pastel pigments, the piece mesmerizes with each blurred deliberate paint stroke. 

© Photo by Tokyo Metropolitan Art Museum

Multiple pieces from American impressionist Childe Hassam are present throughout the exhibition. This includes Gathering Flowers in a French Garden, depicting a woman wearing a white dress holding a bunch of pink flowers and a man reading on a far bench. 

Japanese impressionists like Kuroda Seiki and Kume Keiichiro, who trained in France and brought back impressionist techniques, emphasized using bright colors and rough brushwork. These artists offer a unique contrast to their Western counterparts. 

While this exhibition does not allow photography, the photo spots and merchandise from the museum shop offer visitors a chance to commemorate their trip. Buy tickets in advance to guarantee entry. Timed entry reservations are required on weekends, holidays and weekdays between April 2 to 5. Walk-in guests will be accommodated if space is available.

Pola Museum Annex Exhibition 2024 – Commendation and Intention 

© Photo by Michele Tanabe

If you find yourself in Ginza, stop by the Pola Museum Annex Exhibition 2024 – Commendation and Intention. This exhibit features the works of artists who have received the Grant for Overseas Study by Emerging Artists. The exhibition is split into two volumes, the first volume features artists Hidemi Nishida, Risako Ehara and Yurika Sunada. 

Upon entering, one of the first pieces that command attention is Hidemi Nishida’s ⅕ wooden model of Fragile Bridge. The model bridge feels as if it’s a permanent fixture in the gallery, seamlessly blending into its temporary home. Nishida’s works represent delicate life in the world beyond urban safe-havens.  

© Photo by Michele Tanabe

Artists Yurika Sunana and Risako Ehara, strikingly present in their contrasting pieces, challenge the norm through works like Sunana’s Interspace and Ambivalent (The Flow of Time). Divulging into the contradictions of perfection and imperfection, Sunna’s work, crafted from sleek metal and mirror, moves and emits haunting sounds; blurring lines between flawless and flawed. 

© Photo by Michele Tanabe

Risako Ehara’s colorful pieces are a balance of ancient art and modern street styles. Focusing on the theme of “reliving history,” Ehara takes experience from her studies as a mural painter. Her colorful and emotive works express how murals encompass spaces and architecture. 

Which of these transformative artists’ pieces are you most excited about viewing? Do you know of any other art exhibitions in Tokyo? Share your thoughts in the comments below!

In crisp winter months, the days feel long and the sun sets early. Most of us prefer huddling under cozy kotatsu or buried beneath piles of blankets rather than braving the cold. Yet, as the season wanes and our days become a little more tolerable, the yearning for something bright and warm intensifies. Thankfully spring, with its blooming cherry blossoms and fleeting sweetness, is coming early this year!

The chance to awaken our hibernating hearts is just a train ride away. So, grab a comfortable jacket and bundle that bare neck with a soft scarf! This month’s Tokyo Art Scene is in full swing with 1,000 Years of Hina Dolls at Hotel Gajoen Tokyo, Spring at Okura Shukokan and Machiko Hasegawa Museum’s Collection Exhibition: Longing for Spring.

1,000 Years of Hina Dolls: Wishful Thoughts Passed Down from the Heian Period to the Present Day

© Photo by Hotel Gajoen Tokyo

If you’ve lived in Japan for over a year, you may have come across Hina Dolls and Hinamatsuri-themed displays. Celebrated throughout Japan on March 3rd, Hinamatsuri, also referred to as Girls’ Day, is a holiday dedicated to daughters’ prosperity. The celebration involves displaying hina dolls, representations of Heian royalty, inside the home.

Over time, hina dolls have gained significance as markers for historical and artistic expression, often reminding people of springtime. While they’re not commonly seen outside the home, visiting exhibitions like Hotel Gajoen Tokyo’s 1,000 Years of Hina Dolls is a great way to dive head-first into viewing these stunning ornaments.

Established in 1931 and originally built as a Japanese restaurant, Hotel Gajoen Tokyo stands as an art piece on its own. Later in 1935, the cultural property Hyakudan Kaidan-The Hundred Stairs was constructed and subsequently became well-known for its 100-step staircase. Yet the staircase isn’t the only thing worth writing home about. Hotel Gajoen Tokyo’s beautiful rooms, when combined with the stoic faces of hina dolls, are a sight that will surely take your breath away.

© Photo by Hotel Gajoen Tokyo

After a speedy ride in a gorgeously adorned elevator, the first display of hina dolls comes into view. Don’t hang around too long however, there’s much more to discover! Rounding the corner, visitors are directed to take their shoes off. Once doing so, the expansive Hyakudan staircase comes into view. While the journey up the staircase isn’t too arduous, make sure to hold on to the railing to avoid slipping. The inclining route branches off into various rooms, providing not only a short rest but also showcasing rare hina dolls and installations. Highlights include Keshi-bina Dolls from the Taisho Period (1912-1926), Standing Hina Dolls, Hinamatsuri festival sweets, banquet and tableware, ultra-tiny hina doll decorations, animal-themed hina dolls and on the final floor, Temari balls.

© Photo by Hotel Gajoen Tokyo

While each room undeniably draws attention, the Gyosho Room presents a jaw-dropping display of 800 hina dolls posed in a scene reminiscent of a page straight from a storybook. Truly a sight I wholeheartedly recommend to see firsthand.

Spring at Okura Shukokan

© Photo by Okura Shukokan

Winter is still in full swing. Yet, signs of spring may sprout from unexpected places, such as Tokyo’s oldest existing private museum, Okura Shukokan. This year, the museum’s exhibition Spring at Okura Shukokan illuminates how seasonal motifs and art can spark a longing for spring and all the beauty that comes with it.

Historical buildings such as Okura Shukokan or the aforementioned Hyakudan Kaidan seem to awaken with new life when juxtaposed with spring objects. This awakening is especially clear when exploring this exhibition’s many works with each floor organized into chapters. As visitors follow the museum’s route, history unfolds like pages from a long-forgotten text, whispered through impactful art, tools and vessels. 

© Photo by Okura Shukokan

The first floor displays works from Chapter 1 Fan: Figure of Celebration and Chapter 2: Dragon. Immediately upon entry, the piece Scattered Fans on Water, a large standing folding screen from the 17th century, stands out with a relaxing image of fans embellished with flowering plants encompassed by glittering gold pigments and wisps of clouds. Additionally, take a step closer and notice cutout scenes scattered throughout the work. These picturesque moments are taken straight from the famous Tale of Genji, illustrating courtesans relaxing or gathering in gardens or lavish settings.

The route guides visitors up to the second floor, where carved dragons climb up the building’s pillars. These guardians, with their gaze hauntingly fixed from the ceiling, serve as protectors for the treasures below. Notably, among them is Yokoyama Taikan’s Cherry Blossom Viewing at Night. This famous work depicts a night sky illuminated by cherry blossoms and smoking bonfires. Originally commissioned for a 1930s Rome exhibition, it aimed to showcase Japanese painting styles to the world.

Collection Exhibition: Longing for Spring

© Photo by Machiko Hasegawa Museum

While the earlier-mentioned exhibitions in this article focus on ceremonial ornaments and auspicious motifs symbolizing spring in full bloom, Machiko Hasegawa Museum’s Collection Exhibition: Longing for Spring takes a different approach.

On the first floor of the exhibition hall, 10 paintings and four selected vessels stand in solitary tandem. They collectively portray solemn snowfall and ice-sheeted landscapes. Yet, within each piece’s quiet of winter, a spark of spring makes itself known. One of the first works that can catch any onlooker’s eye is Suzuki Kazumasa’s White Bear. An enormous lonely polar bear gazes into the distance, clearly searching for something. Beams of light flicker through the solemn atmosphere, casting hues of bright red and green from Tabuchi Toshio’s Saharu or the faint glimmer and shine of snowflakes blanketing snow-crested scenes.

© Photo by Machiko Hasegawa Museum

The second floor offers a diverse array of 21 paintings and seven vessels. While the first floor exudes solemnity, the second bursts with vibrant colors and seasonal motifs. Standouts include a gold-pressed standing divider with blossoming winter sakura, a painting of a hanging kimono embossed with silver and gold pigment and layered tea containers.

© Photo by Machiko Hasegawa Museum

One pleasant surprise of the exhibition is a separate room dedicated to the anime Sazae-san. While I had initially come to quell my longing for spring, discovering the detailed history of this beloved anime was an unexpected treat. It turns out that the museum itself is named after the illustrious manga artist Machiko Hasegawa. Moreover, a second building across the street showcases even more Sazae-san history! Complete with a first-floor cafe, gift shop and second-floor exhibit, a trip to this two-part museum is a great way to dive into spring while simultaneously discovering one of Japan’s most beloved female manga artists.

Ready to brave the cold and start spring early this year? While I thoroughly enjoyed all of these exhibitions, Hina dolls combined with the delicious brewed coffee from Hotel Gajoen Tokyo’s Cafe Lounge Pandora is definitely worth a second trip!

While solo exhibitions provide a deep dive into a portfolio of a single creator, there’s an unmistakable charm in the curated synergy of multiple artists converging on a common theme or medium. This month, we shift our gaze to curated collections. From immersive digital art, and award-winning book design to curated contemporary ceramics, individual artistic interpretations converge into a singular medium. Read on to find your next favorite exhibition this January. 

Invisibles in the Neo City 

© Photo by Michele Tanabe

In a society navigating the pathways of the digital era, the question arises: how does the medium of art intersect with this evolving landscape? Enter Invisibles in the Neo City, a recently inaugurated exhibition designed to cast a spotlight on the “invisibles” within imagined landscapes intersecting technology within urban spaces. Whether these invisibles are showing signs of existing presently or conceived by the artists within this space, this exhibition is a testament to how technology shapes our existence in urban environments and is an important precursor of what is to come. 

© Photo by Michele Tanabe

The exhibition is organized into eight distinct modules, each dedicated to representing an artist along with their respective piece. Within each installation, profound questions are posed. For instance, in module one, titled Metabolism Quantized: Is it possible to preserve the memory of architecture or cities for future generations? 

In this module, visitors are provided with a unique interactive experience. A tablet, facing a projected screen, grants individuals control over a character that wanders the streets of a digital world. Simultaneously, the projected screen offers passersby the chance to observe as avatars explore structures of the past that have been lost to demolition, such as the iconic Nakagin Capsule Tower. This module introduces the “Common Ground” concept, seeking to merge and immortalize the digital representations of important structures and perhaps in the future, concerts and events.  

© Photo by Michele Tanabe

Spanning a total of eight modules, which includes two special exhibitions, this showcase provides distinctive perspectives and raises questions about the positive or conversely; negative utilization of technology in our evolving society. Particularly noteworthy is the provocative debate between differing personalities generated from ChatGPT in module five, Artificial Discourse: Toward a Brave New World.  This exhibition not only offers interactive modules but also hosts weekly events, creating an immersive experience accessible to everyone. For a detailed schedule of participation in events, refer to the “events for anybody” tab on the Invisibles in the Neo City webpage. 

World Book Design 2022-23

© Photo by Michele Tanabe

Though we often choose a book for its contents, the subtle craft of book design is an art form that can go unnoticed. Beyond pages of text, there’s a complex web of mechanics and creativity involved in shaping a book’s skeleton. For those with a special appreciation for the art of bookbinding and design, the 56th World Book Design exhibition at the Printing Museum Tokyo promises a delightful exploration into the meticulous process of what sets a book’s design apart from the rest. 

This exhibition showcases a collection of 140 books recognized in prestigious contests like the Japan Book Design Awards and the Best Book Design from all over the World 2023. Alongside these, it features winning entries from individual design contests in South Korea, China, Germany, Canada, the Netherlands and Switzerland.

© Photo by Michele Tanabe

Some award-winning books might prompt a double-take, as seen with Danish artist Tal R’s Klovn. This softcover book defies traditional bookbinding rules through intentional design choices, such as the replication of ink-bleeding from one page to the next or the near-perfect mirroring of ballpoint pen and felt-tip markers. On the Japan Book Design Award side, a nearly glowing fluorescent orange book beckons your attention. Upon closer inspection, you’ll find that its contents, a collection of poetry by Ao Omae, defy any preconceived notions. Indeed, while it’s wise not to judge a book by its cover, the stylized cover is a deliberate part of the artistic expression.

© Photo by Michele Tanabe

The thoughtful layout of the exhibition space provides visitors with ample room to wander, sit and leisurely sift through books at their own pace. It’s indeed a rare occurrence for individuals to physically engage with an exhibition’s artistic pieces, making this exhibition a truly memorable experience. Consider visiting the rest of the Printing Museum’s offerings for more printing knowledge. 

Kikuchi Biennale X

© Photo by Michele Tanabe

While the allure of paint on canvas is undeniable, there’s a particular enchantment in experiencing artwork from every perspective. Fortunately, this year’s Kikuichi Biennale is in full swing and the works displayed have surpassed expectations.  Since its inception in 2004, this annual competition has committed itself to showcasing contemporary ceramics created by artists with various backgrounds and skills. Out of the 359 entries submitted this year, 53 outstanding works, including five grand prize winners, have been selected for display.  

© Photo by Michele Tanabe

The museum was founded by ceramics collector Tomo Kikuchi, who was inspired by the unexpected beauty of contemporary ceramics. The interior of the museum possesses a distinct personality, evident from the moment you descend the winding staircase into the exhibition hall. It becomes apparent that every corner of this space has been meticulously considered. 

The grand prize and semi-grand prize pieces are displayed individually, each pulling you in a different direction. It’s impossible not to be drawn into the details, risking the chance of losing yourself in the playful combination of silver and faint turquoise seen in Kazue Wakabayashi’s Porcelain Container with Overglaze Enamel and Silver “Bright.” Simultaneously, you might find yourself astonished by the earthy yet industrial textures of  Shuri Usami’s work Towa. Both pieces are drastically different, yet stand as winners in their own right. 

© Photo by Michele Tanabe

Moving further into the exhibition hall, the full collection comes into view. The museum’s backdrop coupled with spotlights beaming down on each piece, creates an atmosphere that naturally commands a respectful silence. While winners were chosen carefully by seasoned judges, it’s only human to pick a favorite among those on display. Whether it’s a more traditional vessel, such as an icy blue bowl that briefly transports you to the Palace of Versailles, or works that resemble faces or structures from the living world, you’ll leave this exhibition with unexpected emotions and a sudden urge to enroll in a ceramics class. 

Which of these curated collections are you most excited about visiting? Share your thoughts below!

Zakka-ya (雑貨屋) or zakka-ten (雑貨店) are integral to Japan’s consumer culture and are deeply ingrained in the shopping experience. But what exactly are they? While the standalone term zakka refers to everyday objects that enhance one’s lifestyle, zakka-ya are commonly described as shops offering an assortment of home goods including clothing, food, stationary, jewelry, kitchenware and personal care items. In essence, zakka-ya are variety shops, some of which have gained notable recognition. Below, we’ll delve into some of the most popular zakka-ya, as well as introduce a few local gems offering fantastic items this holiday season.

Popular Zakka-Ya Staples: Find Seasonal Gifts at Your Favorites

© Photo by iStock: Rob Jorg

Even if you were previously unfamiliar with the concept of zakka-ya, chances are you’ve unwittingly stepped into one while running errands or shopping with friends. These shops have an uncanny knack for captivating shoppers, whether it’s the relaxing ambiance and comforting scents of Muji (無印良品) or their lavishly decorated, seasonally rotating displays featuring sparkling ornaments, gift sets and cozy winter attire.

Popular Zakka-ya You May Already Know

© Photo by iStock: winhorse

If you’re new to zakka-ya, start by exploring some of the most popular and accessible ones listed below. Just a word of caution: when entering Village Vanguard, you might find yourself lost or lose track of time with each visit.

• Loft 
• Tokyu Hands 
• Plaza 
• Muji 
• Village Vanguard
• Bleu Bleuet
• Thank You Mart
• 3 Coins 
• Afternoon Tea

Discover Local Zakka-ya for One-of-a-Kind Gifts

© Photo by Michele Tanabe

While you’re sure to discover something special at the well-known zakka-ya mentioned above, exploring local zakka-ya in smaller Tokyo neighborhoods adds a unique dimension to your shopping experience, especially if you’re in search of something truly distinctive. Each shop listed below offers a curated selection of gifts, imbued with its own individual charm.  The local zakka-ya listed below provide a personalized touch to your holiday shopping, making them ideal destinations for finding meaningful presents for your loved ones or a treat-your-self moment! 

Noren Kagurazaka

© Photo by Michele Tanabe

Renowned for its delectable French bakeries and charming izakayas, Kagurazaka is widely regarded as one of Tokyo’s best-kept secrets. Beyond unique dining, Kagurazaka boasts an unmatched selection of shopping. Noren Kagurazaka is a specialized zakka-ya offering an assortment of traditional Japanese goods such as kitchen utensils, food, cosmetics, clothing and accessories. For those interested in fermented foods, head directly next door is Noren Muro, Noren’s sister store which specializes in rice malt and amazake (a traditional drink made from fermented rice.)

Address: Atré Kichijoji Main building 2F, 1-1-24 Kichijoji-minami, Musashino, Tokyo

Zapady-Doo

© Photo by Michele Tanabe

For those seeking a little slice of America, Zapady-Doo offers a selection of American-core goodies. Located just a 10-minute walk from Ebisu station, the store stands out with its colorful durable trash bins and furniture visible from a distance. Inside, you’ll discover a wide array of holiday decorations and goods. Plus, shoppers have the option to have their purchases wrapped in gorgeous festive wrapping paper (with a vintage flair of course). Further into the shop, you’ll encounter furniture, tools, vintage-style decorations, kitchenware and various useful gadgets.

Address: EN Daikanyama 1F, 1-33-15 Ebisu Nishi, Shibuya, Tokyo

Waseda Zakka-ten Switch

© Photo by Michele Tanabe

The university town of Waseda boasts itself as one of the most popular destinations for ramen and aburasoba (soupless ramen) enthusiasts. Yet, what might surprise visitors is the array of specialized shops, including eclectic zakka–ya! Nestled along the short winding road leading to Waseda University’s clocktower and main gate, Waseda Zakka Switch stands out as a must-visit spot for those seeking adorable handcrafted goods. Among the curated selection, one can find items such as holiday cards, books, homemade Christmas soap and artisan-made jewelry. The welcoming ambiance of the shop makes it a great stop while exploring this university town.

Address: Kawasaki Building 1F, 1-1-4 Nishiwaseda, Shinjuku, Tokyo

Dulton Jinnan & Dulton Jiyugaoka

© Photo by Dulton

Gift recipients and shoppers with an appreciation for practical gifts will find joy in exploring the shelves of Dulton. Situated just a five-minute walk from Jiyugaoka Station, Dulton Jiyugaoka stands with impressive multi-story windows along the street. Items at Dulton stores exude a rustic charm while maintaining a lived-in aura. From furniture to gardening supplies to used books and industrial-style items, the shop provides an eclectic mix that can combine any home with a cozy, well-lived feel. If a visit to Jyugaoka, isn’t feasible, there’s also a convenient Duran Jinnan location!

Address: A 1F, 1-4-8 Jinnan, Shibuya-ku, Tokyo (Dulton Jinnan), 2-25-14 Midorigaoka, Meguro-ku, Tokyo (Dulton Jiyugaoka)

Hiroo Arobo

© Photo by Hiroo Arobo

There’s nothing like combining a bit of holiday perusing with your grocery shopping, and Arobo, nestled in the busy shopping streets of Hiroo, is a well-stocked zakka-ya with a warm and inviting ambiance. Stepping into Arobo, you’re sure to encounter unique finds. Whether you’re seeking to add a new twist to your weekly dinners with a novel cooking ingredient or contemplating a vibrant plate set, Arobo has it all. Browse through intricate glassware, plateware, condiments, drink mixes, food items, plants, baskets, gift sets and much more. As the shop slogan aptly states, “We have collected items that will enrich your life.”

Address: 5-17-3 Hiroo, Shibuya, Tokyo

Which zakka-ya do you plan on visiting this holiday season?

In this month’s Tokyo Art Scene, the profound interplay of provocative emotion and vibrant hues combine into the thematic umbrella of Capturing Emotion Through Color. Throughout history, paintings have served as powerful tools, narrating stories and guiding viewers on unique journeys. In contemporary times, various forms and styles have emerged, shifting the focus of paintings. In this article, we will dive into the significance of color, exploring how it not only reflects the artist’s state of mind but also resonates deeply within our psyche.

Yayoi Kusama: Visionary Colors

© Photo by Michele Tanabe

While many are acquainted with the distinctive polka dots and pumpkins synonymous with the contemporary artist Yayoi Kusama, her iconic designs have become even more ubiquitous in Tokyo, particularly with the highly coveted Louis Vuitton x Yayoi Kusama collaboration released earlier this year. Enthusiasts of the artist and admirers of paintings bursting with color will enjoy Yayoi Kusama’s latest exhibition, Visionary Colors. Housed in the ultramodern Shinjuku Yayoi Kusama Museum, this recently inaugurated exhibition showcases works spanning Kusama’s entire career, including pieces from her most recent series, Every Day I Pray For Love, crafted from 2021 to the present. 

© Photo by Michele Tanabe

As visitors step into the museum, they are greeted by the three-dimensional piece Tower. This fluorescent pink polka-dotted structure reflects Kusama’s childhood hallucinations. In tandem, an adjoining painting, echoing the vibrancy and design, reveals a deeper layer upon closer examination, with the polka dots transforming into biological forms. The second and third floors display a variety of pieces ranging from earlier to recent years. On these levels, visitors can immerse themselves in Kusama’s iconic floral shapes, dots, infinity nets, twisting phalli and dark lines. The juxtaposition of dark textures overlaid with vibrant colors creates a visceral experience conveying the artist’s fluctuating emotional states. 

© Photo by Yayoi Kusama Museum

On the fourth floor, visitors encounter an immersive, room-sized installation titled I’m Here, but Nothing, providing a glimpse into some of the performances Kusama staged during her time in New York in the 1960s. The interior of the installation resembles a simple living room adorned with bright fluorescent polka dots illuminated by black light. The room evokes a sense of drifting, allowing viewers to spend a few minutes undisturbed inside. Moving to the final fifth floor, one finds Flowers That in Bloom at Midnight, a vivid three-dimensional piece that echoes Kusama’s consistent exploration of sculpture and installations. Keep in mind that tickets are not available at the door, all tickets must be purchased in advance only through the museum’s website. Entry is timed and only valid for a specific 70 visitors per 90 minute time-slot.

Mark Dean Veca: “Good Vibes”

© Photo by Michele Tanabe

Nestled within the financial district of Otemachi, an unlikely gallery filled with vibrant art and sophisticated decor draws in passersby. The newly opened Tokyo Diaspora Contemporary Art Gallery aims to showcase the works of international artists while fostering connections among art enthusiasts and emerging local talents. This gallery’s first exhibition, Good Vibes, by Los Angeles artist Mark Dean Veca, emanates positive emotions in an inviting atmosphere that sparks creativity. 

© Photo by Michele Tanabe

The playful contrasting colors of the exhibition can be seen from a distance through the gallery’s glass windows. However, as visitors step inside, they are instantly greeted with splashes of pigment and familiar characters. Among the sculptures near the entrance, a blue and white-patterned Pinocchio smiles happily into the void, leaving room for interpretation by the viewer. Moving deeper into the exhibition, you may find yourself face to face with an emaciated Pillsbury Doughboy or your favorite potato chip mascot. This solo exhibition provides a rare glimpse of Veca’s provocative style, encompassing stylized pop art and psychedelic shades through twisting textures and patterns. 

© Photo by Michele Tanabe

The intimate culture of this gallery affords most who visit the chance to chat with gallery director and fellow contemporary artist, Sush Machida. Those interested in uncovering the behind-the-scenes process of curating this exhibition will be enlightened by Mahida’s thoughtful guidance. Look out for current news and upcoming exhibitions at the gallery’s Instagram page.

Anish Kapoor: Looking at the Deprived of Freedom —The Future of Surveillance Society

© Photo by Michele Tanabe

For those eager to fall into an artistic and thought-provoking respite amid the hustle and bustle of holiday shopping in the crowded streets of Harajuku and Omotesando, a visit to Anish Kapoor’s latest exhibition is a must. This thoughtful collection is truly exceptional as it serves as a commentary on the complex and often challenging emotions faced by individuals and society in the era of ubiquitous surveillance.

© Photo by Michele Tanabe

In an age dominated by social media and algorithm-driven advertising, an eerie, ever-watchful presence seems to weave itself into our daily lives. The Future of Surveillance Society contemplates those who willingly engage in this transactional behavior, revealing a darker undercurrent tightly bound to human emotion.

The exhibit unfolds across three distinct chapters: Chapter One, Birth of the Prison Without a Ceiling, Chapter Two: Big Brother and Chapter Three: The Monster of Totality. Each chapter guides you through a narrative woven from the sticky red piles of gore strewn across the gallery to the purposeful paintings and mixed media. The crimson red, gushing forth amid contrasting bright blues and purples serves as a visceral and deliberate visual storytelling device.

© Photo by Michele Tanabe

It’s recommended to pause at each chapter description to read before delving into the corresponding segment’s works. Kapoor’s deliberate choice of these specific colors serves to mirror the often chaotic and untethered emotions associated with the uncharted territory humanity, and our world as we know it, has ventured into.

Whether you immerse yourself in the vibrant colors of Yayoi Kusama’s new exhibition, Kapoor’s haunting works or venture into Otemachi for a more personal gallery experience, you’re sure to find something to spark emotion in this month’s Tokyo Art Scene.

Combining education and artistry can be a difficult task to accomplish, yet when it’s executed with finesse, it can yield an unforgettable experience.

This month’s Tokyo art scene presents this perfect blend in three unique exhibitions. Whether it be within the fluid world of ecology, through the artistic depictions of zoological findings or by studying a piece of Japan’s transitional history, you’ll walk away from these exhibitions inspired and with newfound knowledge. 

Ecology: Dialogue on Circulations, “New Life” by Jae Eun Choi

© Photo by Michele Tanabe

At the center of Ginza, a district known for high-end shopping and luxury, art museums and exhibitions might not be the first thing that comes to mind. However, even in the most unexpected of places, such as the renowned Ginza’s Maison Hermès, a different kind of energy flows. 

Hermès is indeed one of the most recognizable luxury brands in the world, and the glittering Ginza glass building that houses this powerhouse label elicits a double-take just from walking by. Nonetheless, it may surprise passersby that on the eighth floor sits The Forum, an art gallery generously supported by the non-profit Hermès Foundation, inviting the public to explore its artistic offerings. 

© Photo by Michele Tanabe

The Forum’s current exhibition is split into three separate dialogues spanning from mid-October to the end of May, in this section we will focus on Dialogue 1: La Vita Nuova or New Life by Jae Eun Choi. Showcased is an immersive retrospective of the visual artist’s celebrated career, highlighting works such as the World Underground Project, A Poet’s Atelier, and the Dreaming of Earth Project. 

Of the most striking installations shown is White Death, a display of hundreds of bleached white coral, lost of life, scattered across the length of the exhibition room floor. This piece is an unsettling reminder of the dangers of rising seawater temperatures, subsequently killing the coral. As viewers walk along the scattered bleached remains, shattered bits of mirror placed within the debris reflect solemn faces and light. 

© Photo by Michele Tanabe

Choi’s pieces serve as a powerful vehicle to raise awareness of pressing ecological issues, including climate change and the intricate balance of coexisting within fluctuating ecosystems. As you continue, you might even find yourself transcending into the ever-changing ecosystem depicted by the art itself, if only for a fleeting moment.  

Special Exhibition “Ichthyology,” the University of Tokyo

© Photo by Michele Tanabe

Ichthyology, the branch of zoology that explores the diverse world of fish, from bony to cartilaginous and jawless species, often remains in the shadow of its more renowned counterparts. However, Intermediatheque’s Special Exhibition “Ichthyology” showcases this lesser-known science in an accessible setting. 

This exhibition focuses on the educational drawings utilized at the University of Tokyo during the late 19th and early 20th centuries, with particular emphasis on Kishinouye Kamakichi’s (1867-1929) extensive collection.

© Photo by Michele Tanabe

As you venture along the dimly lit halls, you’ll feel as though you’re descending into the mysterious depths of the sea. The walls, decorated with scrolls, feature intricate ink and watercolor illustrations that reveal the aquatic life exposed. Every detail, from the fine intricacies of their outer forms to the minute details of a single spinal column, is on display.

Unique remnants of the artistic journey are also highlighted if you look closely enough. Take, for instance, the figure titled Muscular and circulatory systems of Katsuwonus pelamis. Upon further inspection, you’ll notice brown stains and evidence of the fish being carefully imprinted onto paraffin paper, a once-vital tracing technique. These subtle imperfections act as echoes from the past and provide a glimpse into Kamakichi’s artistic process. 

© Photo by Michele Tanabe

While the Univesity of Tokyo’s ichthyology exhibition provides a wealth of knowledge, if your schedule permits, take the time to explore the full range of Intermediatheque’s exhibition rooms. Exploring the entirety of this museum is an enriching experience, promising fresh insights and a deep appreciation for the dedicated curators behind this exceptional space. 

Tumultuous Times ―Painters in the Bakumatsu and Meiji

© Photo by Michele Tanabe

While most who dabble in Japanese history are well-versed with significant historical periods such as the Nara, Heian, Kamakura, Muromachi and Edo eras, the Bakamatsu period, spanning from 1853 to 1867, stands as a brief yet pivotal chapter in Japan’s history. This era was marked by noteworthy events, including the arrival of Commodore Perry’s black ships, the Great Ansei Earthquake and the eventual end of the Tokugawa shogunate. 

The paintings and prints on display, originating from the late Edo or Bakamatsu period to the Meiji period, shed light on the transitional and intersecting styles between pre-modern and modern art. This interplay resulted in the creation of memorable works renowned for their groundbreaking techniques. 

© Photo by Suntory Museum Of Art

While the early sections of the exhibition focus on the achievements of painters and art circles during the Edo period, a noticeable Western influence subtly becomes visible in painting styles as we progress through the late Edo period. On the third floor, Painters in a Turbulent Age, delivers a provoking impression, showcasing artists such as Tsukioka Yoshitoshi’s famous blood-stained prints or Kikuchi Yosai’s Empress Lu Slays Qi Furen. The brutality depicted in these images is beyond words, making it an experience that demands to be witnessed firsthand. 

© Photo by Suntory Museum Of Art

With such an array of compelling exhibitions, you may find it more challenging to decide which of these educational displays to visit first, but don’t worry, you’re sure to make a wise choice.

Creatives and art enthusiasts with a penchant for discovering fresh perspectives within established historic landmarks, fashion houses and architectural marvels are in for a treat with this month’s Tokyo Art Scene roundup. Delve into exhibitions that explore the profound impact of French elegance and influence on Japan, including Yves Saint Laurent, Across the Style at The National Art Museum Tokyo; Yasumichi Morita’s In the Praise of Shadows; and The Art Deco Garden, at Tokyo Metropolitan Teien Art Museum.

Fashion Passes, Style Remains: Yves Saint Laurent, Across the Style

© Photo by Michele Tanabe

Walk down any shopping district in Tokyo and without much effort, you’ll find the glittering letters spelling out YSL on a chic leather bag somewhere. The fashion scene in Japan is thriving, and Yves Saint Laurent, the renowned French luxury fashion house and designer, has garnered widespread acclaim within Japan and beyond. It comes as no surprise, then, that an exhibition dedicated to the distinctive designs of Yves Saint Laurent has graced the halls of The National Art Center, Tokyo.

© Photo by Michele Tanabe

This exhibition (©︎ Musée Yves Saint Laurent Paris) is truly an extraordinary retrospective, displaying Saint Laurent’s drawings and early designs from a young age all the way into the years of his illustrious career in high fashion. A standout among his early works on display includes the Paper Couture House, a collection of paper dolls featuring breathtaking dresses and accessories. Remarkably, he conceived this visionary creation at the young age of 16. Of the 262 items showcased, some of the most notable looks combine features of utilitarian menswear into elegant everyday womenswear, using items like trench coats, jumpsuits, tailored suits and the Safari Jacket as their framework.

© Photo by Michele Tanabe

As important as the garments themselves, accessories share the spotlight deeper into the exhibition. Visitors will find a Cabinet of Jewels featuring 36 exquisite pieces of jewelry and accessories that have been paired with various couture collections over the years. While photography is generally restricted throughout the exhibit, you’ll have the chance to capture some of Saint Laurent’s most iconic creations in one of the final exhibition rooms. Memorable pieces like the Les Iris jacket, which draws inspiration from Vincent van Gogh’s art, and the Mondrian Dress, paying homage to the artist Piet Mondrian, are among the designs you can immortalize through photography.

Yasumichi Morita’s In Praise of Shadows

© Photo by Michele Tanabe

Located right in the heart of Ginza, Chanel Nexus Hall has served as a prestigious venue for emerging artists and musicians since its establishment in 2004. The entrance to the venue may seem a bit intimidating, complete with a private entrance and a suit-clad elevator operator, yet the glitz and glam of the locale is a necessary accompaniment to this hauntingly beautiful showcase of Yasumichi Morita’s photographs of the Palace of Versailles. 

© Photo by Michele Tanabe

In this exhibition, Yasumichi Morita presents a strikingly personal collection of black-and-white photographs set against the backdrop of Versailles’ historic walls. Each piece plays with the rich interplay of edgy shadows and radiant beams of sunlight. This perspective of light and dark serves as a refreshing departure from the familiar, giving viewers the sensation of encountering Versailles for the first time.

© Photo by Michele Tanabe

Morita’s unique talent lies in his ability to capture the essence of a well-known subject and transform it into a distinctly personal viewpoint. With photos capturing intimate scenes, like peering through a keyhole, it’s impossible not to imagine yourself a voyeur within the hushed walls of royalty.

Exploring the Aesthetic Fruit of the Residence of Prince Asaka 

© Photo by Michele Tanabe

Ever heard arts du jardin? If you haven’t, don’t worry, unless you’re a French speaker or a garden enthusiast, you may not have come across the term. Translated as “art of the garden” this expression perfectly encapsulates the theme of Tokyo Metropolitan Teien Art Museum’s exhibition, The Art Deco Garden. While the museum has meticulously curated a dazzling showcase of 150 works of art, it’s evident that the structure housing these pieces was thoughtfully designed to create an environment complementing the Art-Deco-inspired ambiance.

© Photo by Michele Tanabe

Fascinated with design elements from the Art Deco movement during his travels overseas, Prince Asaka (1887-1981) brought on a team of architects including Henri Rapin, a French painter, illustrator and designer, to construct a residence for his family highlighting his favored ornamental features. The building, virtually unaltered, now stands as the Teien Metropolitan Museum of Art.

© Photo by Michele Tanabe

The exhibition is divided into three categories: “The Gardens Depicted by Henri Rapin,” “The Prince Asaka Residence and its Gardens,” and “Art Deco and ‘Arts du Jardins’.” As you stroll through the same hallways and corridors once graced by the imperial family, you may find yourself transported back in time to a bygone era. The feeling is heightened as you admire the intricate architectural features, such as the grand hall’s overhead lights or the selected works that reflect Arts du Jardin in the Annex. Take your time exploring this peaceful museum and if time allows, enjoy a relaxing cup of tea or coffee in the museum cafe.

For further information on the museum and its gardens, read Tokyo’s Greatest Art Deco Masterpiece to Date.

Which of these three French-inspired exhibitions do you plan on visiting first? I don’t know about you, but I think I’ll be heading straight back to YSL’s exhibition to nab the exclusive canvas tote bag I wished I had purchased the first time around.

On a recent excursion to the Shinjuku Kinokuniya, a spot known for its wide selection of English and other foreign language books, I observed a new friend taking photos of covers that caught her interest. She saw me watching and simply replied, “I don’t buy new books anymore.” The sentiment struck me, I had been trying my best to adhere to a sustainable lifestyle, but I hadn’t really thought about my reading habits. After returning home and taking a look at my bookshelf, I noticed that most of my books were either found at used bookshops or given to me by a friend.

“I don’t buy new books anymore.”

Since that day, I’ve become even more aware of my book-buying habits especially since I’m always searching for a good modern fiction book in English. On closer inspection, I realized living in Japan had greatly changed my spending habits as well as my attitude toward sustainability. In a country where secondhand shopping isn’t negatively stigmatized and on the flip side, normalized, it’s easy to pick up sustainable habits as a result.

For those who have made it a point to source physical books in a more ethical manner, especially the hard-to-find English ones, I’ve got you covered.

1. Book swapping

© Photo by Michele Tanabe

Book swapping has become increasingly popular over the past few years, even online, book-swapping websites have made it much easier to find secondhand English books in a pinch. However, there’s nothing like an in-person swapping event to make new friends while discussing your favorite, or least favorite authors. Tokyo Bookswap offers an excellent space for those looking for a social event tied to reading. The event takes place on a semi-regular basis and brings together book lovers ready and willing to swap for something new. This welcoming community is a great place to make friends while participating in a more sustainable lifestyle.

2. Book fairs

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For a classic pub meal followed by book browsing, pop into Good Heavens Bar. This foreign-owned British establishment holds various events like quiz and comedy nights, live music and English book fairs. Their schedule varies, so follow their Instagram or Facebook for updates on when the next one will be held. If you can’t wait and want to browse their massive bookshelves, the bar accepts sales and trades, and even sometimes buys your used books. Remember that if you plan on coming in to purchase a book or two, add a drink or meal to your tab to help support this local business.

3. Used bookshops

© Photo by Michele Tanabe

It’s a no-brainer that used bookshops are some of the best places to find books sustainably and at a significantly lower price. When I lived in the countryside of Shizuoka, my neighborhood secondhand bookshop had a scant selection of English books. Once moving to Tokyo, one of the first things I did was make my way to every used bookshop in the area. Book-Off, a popular used bookstore in Japan, has quite a few locations scattered throughout Tokyo with a more tempting English book selection.

Locations with an English book selection include:

• Book-Off Ikebukuro Sunshine City 
• Book-Off Plus Nishi Gotanda 
• Book-Off Akihabara Ekimae Store
• Book-Off Shinjuku Station West

4. Online marketplaces

© Photo by Infinity Books & Event Space online shop

If finding the time to purchase used books in person is too much of a hassle, there are quite a few options for online book buying available. Listed below are a few online marketplaces I’ve found useful when purchasing secondhand books:

• Books Garage Sale
• Tokyo Craigslist 
• Mercari
• Infinity Books & Event Space online shop

Books Garage Sale is a Facebook group specializing in selling and trading used books. This forum has a considerable market in children’s and educational books and is a great place to offload unwanted books. Craigslist and Mercari are more hit-and-miss, but if you’ve got time on your hands and are willing to browse, you may stumble on a title in your wishlist. Just this week I found a popular best-seller on Tokyo Craigslist I’ve been searching for since its release and have already secured a meeting point to secure the book.

Infinity Books & Event Space, located in Asakusa, is a cozy spot to browse for books in person, but for those living far away from Tokyo their online shop is always updated with new-used books to delve into.

5. Borrow books

© Photo by iStock: SDI Productions

As foreigners living in Japan, the thought of visiting a library might be daunting at first, but there are quite a few locations with English books available for borrowing, including the Minato Library and the Yotsuya Library. However, if borrowing from a library in Japan isn’t quite something you’re ready to do, another option is inquiring around. Readers tend to stick together and there is a high chance that one of your friends has a stack of books just waiting to be shared.  I’ve had quite a few people inquire about borrowing a book from my fast-growing non-fiction collection and have been happy to oblige. It never hurts to ask!

Which of these sustainable tips is your favorite for finding English books in Tokyo? Share your thoughts in the comments below!