Born in 1959 into a Chinese–Filipino family in the Philippines, Cynthia Usui, Chief Empowerment Officer of Sekaia Inc., came to Japan in 1980 as a government-sponsored international student and graduated from Tokyo University of Foreign Studies. She once imagined a traditional professional path, but life took her across countries and roles, including a long period as a full-time homemaker. Married to a Japanese diplomat, she spent nearly two decades raising her daughter while living in multiple countries before eventually becoming a Japanese national and calling Tokyo home.

At age 47—when most people believe “it’s too late to start over”—Cynthia re-entered the workforce with a part-time cafeteria job. She began what would become one of Japan’s most remarkable second-career stories. From hospitality roles at major hotels, including ANA InterContinental Tokyo and Shangri-La, she went on to lead Tokyo 2020 hospitality at Coca-Cola. She later became a country manager in the hotel industry and then a manager at a major global IT company. Today, she serves as an advisor to an NPO that supports single mothers, while being recognized as a LinkedIn influencer and published author who advocates for career breaks.

Career Breaks by Cynthia Usui

Cynthia’s beliefs are rooted in lived experience. After a 17-year career break, she learned firsthand that stepping away from work is not the end of a career. It can become the beginning of a more authentic one. She calls herself the “Cinderella of stay-at-home moms,” not because she waited for the clock to strike midnight. But because she transformed “ordinary” and “unemployed” into extraordinary and unstoppable through curiosity, humility and persistence.

Her message is simple but radical:

“A career break is not a career end.”

Career pauses also create space for growth, resilience and new perspectives—qualities that enrich professional life later. Through storytelling, writing and mentoring, she now champions women who are restarting professional journeys after motherhood, caregiving, relocation or personal transitions.

What makes Cynthia inspiring is not only that she achieved senior roles. It is the fact that she began again when most people believe the window has closed. She has proven, through her own example, that it is never too late to reinvent oneself. Opportunity doesn’t fade with age, gender or circumstance. She stands for possibility, for second chances and for the power of saying “yes” even when your confidence says “not yet.”

Today, through Career Hub, her books and her platform on LinkedIn, Cynthia empowers a new generation of women to believe that every chapter counts—and that the time spent away from work doesn’t erase your potential. It expands it.

Cynthia’s Japan Recommendations

• Take the train and get out of central Tokyo to see how regular people live.

Visit Cynthia’s website for more information about her and her work.

Her books are all available on Amazon (Japanese language):

• 人生は、もっと、自分で決めていい (Jinsei wa, motto, jibun de kimete ii; “You’re allowed to decide more of your own life.”)
• ハーバード、イェール、プリンストン大学に合格した娘は、どう育てられたか ママ・シンシアの自力のつく子育て術33 (Hābādo, Yēru, Purinsuton Daigaku ni gōkaku shita musume wa, dō sodaterareta ka: Mama Shinshia no jiriki no tsuku kosodatejutsu 33; “How was the daughter who got into Harvard, Yale and Princeton raised? Cynthia’s 33 child-raising methods for building independence.”)
• 専業主婦が就職するまでにやっておくべき8つのこと (Sengyō shufu ga shūshoku suru made ni yatte oku beki yattsu no koto; “Eight things a full-time homemaker should do before getting a job.”)

If you would like to follow Cynthia Usui personally, you can find her over on LinkedIn, X and Facebook.

If you have someone in mind you would like us to interview for Savvy Spotlight, please leave a comment below with your recommendations.

Australian-born and Tokyo-based, Brittany Arthur is a powerhouse of innovation and empathy. Her connection to Japan began as a high school exchange student in Kagoshima. After gaining professional experience in Berlin, she returned in 2017 to launch her own company in Tokyo. Today, she’s the CEO of Design Thinking Japan, a trailblazing firm leading the way in human-centered AI solutions.

Alongside her husband, she’s raising their young son, blending Australian, Mexican and Japanese cultures into her daily family life. Brittany is also the voice behind The Business Karaoke Podcast—the only bilingual business podcast in Japanese and English—where she explores leadership and innovation.

Design Thinking Japan (DTJ)

Founded by Brittany, Design Thinking Japan is reshaping the way companies use AI by keeping people at the center of it all. The firm is known for delivering solutions that aren’t just high-tech, but deeply human, practical and ethically grounded. While guiding global teams through cultural complexities and helping organizations rethink innovation from the ground up, DTJ combines creativity with measurable results. Brittany’s leadership reflects the values many international women in Japan hold close: resilience, adaptability and a strong sense of purpose.

For those curious about the future of work, parenting abroad or what it takes to lead as a woman in Japan, Brittany’s journey is as inspiring as it is refreshing. Make sure to watch our full interview with her in the video above.

Brittany’s Japan Recommendations

• Take a detour from the standard path and enjoy a spot with fewer crowds
• Try eating somewhere where everything is in Japanese (unless you have an allergy)
• Get a personal experience done, like a haircut or hair wash

Visit Design Thinking Japan for more information about Brittany’s business.

If you would like to follow Brittany Arthur personally, you can find her over on LinkedIn and Instagram.

If you have anyone in mind you would like us to interview for Savvy Spotlight, leave us a comment below with your recommendations!

I hadn’t been to the hairdresser in over two years, and with Japan’s hot and humid summer on the way, it was time for a refreshing cut. But after growing my hair out for so long, I wanted it to go to a good cause. That’s when I started looking into donating my hair and where to donate it in Tokyo.

With the help of hairstylist Chie Funakura and her salon in Harajuku, Silva Papilio, I was able to donate my hair through Japan Hair Donation and Charity, and get a rockin‘ new summer haircut in Japan. Here’s how you can do it too.

Who Can Donate Hair in Japan?

© Photo by SavvyTokyo

Most hair donation charities in Japan will accept hair that’s at least 31 centimeters long and not severely damaged. While many organizations prefer dark brown or black hair—since it best matches Japanese recipients—hair of any texture or color can be donated as long as it meets the length requirement. Even bleached hair is accepted, provided it doesn’t break easily when lightly tugged on.

Yes, 31 centimeters is quite a bit to donate—but I ended up donating around 35 centimeters. I managed to grow it out from shoulder length over two and a half years. It seems my hair grows a bit faster than average, though. According to Hair Doneige, a site that lists hair donation salons across Japan, growing out 31 centimeters usually takes about three years.

If you want to donate hair in Japan but don’t quite have the length yet, you will need to be patient. But once all that hair you’ve taken time to grow is finally cut away, I’m sure you’ll feel a very gratifying sense of accomplishment. And if you already have the required length, this might just be your sign to go for that new summer haircut!

How To Prepare For Hair Donation

For those of you who are ready to make the big cut, here’s a basic rundown on who to contact and what to do!

Contact Your Salon

There are multiple ways to donate hair in Japan, but the easiest way I recommend is to directly contact your usual hair salon and ask if they provide a hair donation service. If they say yes, all you need to do is book your usual appointment, while making sure to mention you want to donate your hair.

Some salons might offer to cut your hair for donation but will ultimately return it to you so that you can donate it yourself. If your salon doesn’t provide any hair donation services, you can either attempt cutting it yourself or find another salon that does.

Cut It Off

Now to the fun part: chop-chop! In addition to being washed and dried beforehand (very important, as your hair might mold if you leave it wet), the first step to cutting hair involves tying it up into separate sections with rubber bands.

Chie recommends tying these bands at least a centimeter below where you want to cut your hair. You will want to leave the extra space to keep the hair bundled together as you cut above it. Make sure to measure out the hair while it’s tied up to check if you have the required length before cutting it too. Once you’re happy with the band placement and length, go ahead and chop it off!

Clean It Up

I was lucky enough to get Chie to do all the work, including cleaning up and styling the haircut once all the sections were cut off. If you choose to cut your hair donation chunks yourself at home, you’d still probably want to book a regular hair appointment afterward—unless you want your new hairstyle to look like this:

Sending The Hair Off

If you’re like me and went to a salon that cuts and donates hair for you, your hair donation journey comes to an end with you getting a fresh new do. However, if you’re someone who visits a salon that returns your cut hair to you, or you cut the hair yourself, here are some tips to get the hair to the charity of your choice.

Chie usually donates haircuts at her salon on your behalf, but this time she let me take my hair back home so I could demonstrate that process myself…

Bundle The Hair Up In A Big Rubber Band

© Photo by SavvyTokyo

After making sure all the cut hair is completely dried, use one or two rubber bands to keep the hair together. This prevents all the hair from getting knotted up together when placed in the envelope.

Fill Out The Documentation

© Photo by SavvyTokyo

The charity you’ve chosen will have the required documentation for sending your donation on its site. It’s usually a donor form, a piece of paper with your name and place of residence or an online form.

I chose to send my hair to Japan Hair Donation and Charity (JHDAC), as their site is all in English and accepts hair of all kinds. They also send proof of receipt as long as you include a separate regular-sized envelope with your address and a ¥84 stamp on the front and their address on the back.

Pack Everything Up & Send

© Photo by SavvyTokyo

Put the bundled hair and printed documents together in a big enough envelope/letter pack. An A4 letter pack can be easily purchased and sent off from your local convenience store for about ¥430.

© Photo by SavvyTokyo

Make sure you have the correct mailing address for the charity of your choice, seal it all up and send it off!

Extra Details

© Photo by SavvyTokyo

Thanks to Chie, the whole hair-cutting process was so easy for me. Her salon in Harajuku was very relaxing and smelled amazing. Chie speaks English, so I was easily able to communicate the kind of hairstyle I was after.

If you’re looking for a friendly English-speaking salon, I highly recommend visiting Chie’s salon Silvia Papilio, whether you’re looking to donate your long hair or just after a usual hair appointment.

Silvia Papilio

• Address: Galleria Harajuku 2F, 3-6-1 Sendagaya, Shibuya, Tokyo (Google Map Link)
• Business hours: Tue-Sun from 11 a.m.- 8 p.m. (Closed Mon)
• Instagram: @chie_funakura_silvapapilio
• Salon Note: Our color products are imported from Europe

Japan Hair Donation and Charity (JHDAC)

• Donatable hair types: All natural hair types are welcome, as well as artificially colored, permed, or bleached hair, as long as it’s not highly damaged.
• Address: NPO JHD&C, Chiyoda North 7A 13-38 Naniwa-cho, Kita-ku, Osaka, Japan 530-0022
• What to include in the envelope: Your hair, donor sheet form and a separate envelope with your address on the front with a stamp and JHDAC address on the back (only if you want proof of receipt)

Growing out my hair for donation took a long commitment and many bottles of shampoo and conditioner. Still, it was definitely a rewarding experience and all worth it.

For more details about donating hair in Japan, check out my article on Gaijinpot, or if you want to watch a video of my personal experience, check out this video on YouTube:

Have you ever donated hair in Japan before? Tell us about your experience in the comments.

This article has been republished for 2025.

Have you heard about 耳つぼジュエリー (mimitsubo jyueri; “ear acupressure jewelry”)? This latest beauty-meets-wellness trend has been taking over Japanese social media for the past few months now!

What Is Ear Acupressure Jewelry?

© Photo by Shelley Smith

© Photo by Shelley Smith

Ear acupressure jewelry combines fashion and traditional wellness by placing decorative adhesive studs on key pressure points on the ear. These small patches usually contain titanium balls, which are believed to stimulate pressure points that may help with issues like bloating, fatigue, tension and even stress.

Titanium has long been used in health-supportive products in Japan, such as pain-relieving tapes for muscle soreness or joint pain. It’s thought to work by interacting with the body’s natural electrical currents, helping balance internal bioelectricity for physical and emotional wellness.

What makes this trend different is the added flair—each titanium sticker is topped with crystals, pearls or other fashionable embellishments. They are basically tiny stick-on earrings that look chic while potentially easing your aches and boosting your energy.

Here are some things ear acupressure jewelry is said to support:

• Reducing bloating and facial puffiness
• Suppressing appetite and supporting weight loss efforts
• Improving skin condition
• Easing eye fatigue and shoulder tension
• Promoting better sleep and relaxation
• Relieving stress and improving mood

Ear Acupressure Jewelry Process

© Photo by Pixta: buritora

During the beauty session, a trained beautician or therapist may start by massaging your ears to get the blood flowing. Then, after wiping your ears down, they will start poking specific pressure points of the ear, depending on your needs. The beautician will recommend applying the titanium-based stickers to where you feel the most pain when poked. It’s not overly painful, but you will feel a sting of pressure.

After all the stickers are applied, you should feel more refreshed or balanced. The strength of the jewelry’s effect may depend on each person, but getting your ears massaged and touched generally should make you feel relaxed.

As they finish up, you’ll be told how long to leave the jewelry on (typically three to five days) and how to keep it clean. When the time comes, you will need to remove the stickers yourself, but it’s literally as easy as peeling them off. If you want to keep applying them, most salons recommend bi-weekly visits, with a week of rest in between.

Most Common Pressure Points

© Photo by Shelley Smith

Depending on your needs, a beautician will focus on different areas. Here are the most common points they suggest you try out:

• General Pain Relief & Mental Stability: Shen Men point (in the triangular fossa)
• Menstrual Pain Relief: The lower back/abdomen reflex points (near the inner ear curve)
• Diet & Appetite Control: The tragus and the stomach point just below it
• Relaxation & Balance: Shen Men paired with the endocrine point (found near the ear lobe)
• Facial Puffiness: Kidney point (inner ear) and lymph drainage points (around the outer rim and earlobe)
• Eye Strain: The eye reflex point (along the middle outer rim of the ear)
• Skin Elasticity: The collagen and skin-related points (around the lower outer ear and lobe)

How To Try It in Japan

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A post shared by Welina  ིྀ syuna  ིྀ 札幌まつげ/まつげパーマ/眉毛/耳つぼジュエリー (@syuna_1152)

This trend is currently booming in beauty salons across Japan, so it’s becoming increasingly available to try. Many stylists offer trial courses or bundle ear acupressure jewelry with other treatments (popular add-ons below) for maximum effect.

If you want to try ear acupressure jewelry yourself, we recommend looking up “耳ツボジュエリー” on beauty booking apps like Hot Pepper Beauty or Rakuten Beauty, or even on Google Maps to find a salon near you.

How Much Does It Cost?

Ear acupressure jewelry can be quite reasonable. The price will depend on how many jewels you want on each ear, but it ranges between ¥3,000 and ¥5,000. This usually includes the application of eight to 20 jewel stickers, depending on the salon’s pricing and package.

A typical offering is about 16 to 20 jewels for ¥3,300. Some salons also offer つけ放題 (tsukehoudai; “all-you-can-attach”) plans, where you can have as many jewels applied as you like for around ¥3,500 to ¥5,000. Naturally, if you’re looking to cover your ears thoroughly with sparkles, the all-you-can-attach plan is the girl math way to go.

You may also encounter trial courses for first-timers, which offer a smaller amount of eight to 10 jewels for as little as ¥2,000. Many salons actually recommend starting small and then working your way up to more pressure points, especially if you plan to apply them regularly.

Popular Treatment Add-ons

For a more intensive wellness experience, some salons pair ear jewelry with additional services such as:

• Facial massage or lymphatic drainage
• Head spa or scalp massage
• Korean-style facial contouring (Korugi or “Kogao” treatments)
• Acupuncture or herbal steam sessions

Does It Actually Work?

This is the key question I also had, so I went out and tried it myself. While I didn’t notice any significant physical changes to my body or skin condition in the days following my session, I did feel a little more energized the day immediately after. I also asked my beautician to place the jewels on pressure points for neck and back pain, and it genuinely felt like it made a slight difference.

It’s fair to wonder if it’s just a placebo, but honestly, believing in the pressure points worked well enough for me. Plus, the extra jewels looked super cute on, and the session was very affordable, so I have no complaints. I’d happily do it again, especially when I want to bling up my ears with the added benefit of feeling good afterward.

Who says you can’t look good while feeling better? Fashionable and accessible—would you try ear acupressure jewelry?

For many international families and individuals living in Japan, the idea of “home” can be complex. French artist Carine Lantignac understands this deeply. Having spent most of her life abroad, she has woven her experiences of travel, culture and personal identity into her art—leading to the creation of Mapponica, a unique studio in Tokyo that crafts bespoke washi paper maps.

Carine’s journey is anything but ordinary. She began with studies in mechanics, then worked as a cabin attendant for 14 years in London, soaring above cities and landscapes that would later inspire her art. When she moved to Japan a decade ago, she fell in love with artisanal Japanese washi paper. Drawn to its delicate textures and centuries-old traditions, this became the medium she chose to work with for Mapponica.

Mapponica

Her maps are more than just artwork; they tell stories. Her first piece was a map of her homeland, France, infused with Japanese motifs. It became a symbolic representation of her multicultural family’s identity. Through Mapponica, Carine bridges past and present, honoring her personal journey and Japan’s timeless artistry. Whether you’ve lived here for years or are just passing through, her work captures the essence of connection, migration and cultural appreciation.

Watch the full video interview above to hear more about Carine’s journey and the inspiration behind her beautiful washi maps.

Carine’s Japan Recommendations

• Sakura Horikiri (Washi paper shop)
• Kubota Itchiku Art Museum
• Cycling Along The Arakawa River

If you would like to follow Carine Lantignac personally, you can find her contact information on her official Mapponica website or Instagram for more information about her art studio.

If you have anyone in mind you would like us to interview for Savvy Spotlight, leave us a comment below with your recommendations!

Saki Nakahara is the bilingual immigration lawyer behind Small Seasons & Co., a Tokyo-based legal office. The firm specializes in visa applications, business incorporation and grants for the cultural and creative sectors. Saki has deep expertise in Japan’s legal landscape and helps individuals and businesses navigate the complexities of establishing themselves in Japan.

Born in the UK and raised in a multicultural environment, Saki developed a strong appreciation for cultural diversity and global connections. Her international upbringing fuels her passion for supporting foreign nationals as they settle into life in Japan. Saki’s background includes over a decade of experience in the business world. This gives her a unique understanding of how companies operate and thrive, both locally and internationally.

Small Seasons & Co.

© Photo by The Savvy Team

At Small Seasons & Co., Saki offers personalized legal services. She helps secure visas for artists, business managers, spouses, permanent residents and more. She also assists entrepreneurs with setting up businesses in Japan. Her firm supports creative professionals by guiding them through the process of obtaining grants for cultural projects.

Saki is driven by a desire to foster cultural synergy in Japan. She enjoys helping people from all backgrounds find success and fulfillment in their endeavors. Whether you’re looking to stay in Japan long-term, start a business or access funding for your creative work, Saki will guide you with professionalism, empathy and a deep respect for Japan’s cultural heritage.

Watch the video above to learn more about Saki’s journey, her passion for immigration law and Japanese tea ceremony, and how she can help you navigate your path to success in Japan.

Saki’s Tokyo Recommendations

© Photo by The Savvy Team

• Coffee Shop Northcote
• Setagaya Literary Museum
• Nezu Museum
• Idemitsu Museum of Arts

Visit her website Small Seasons & Co., or Instagram, for more information about her business.

If you would like to follow Saki Nakahara personally, you can find her over on LinkedIn.

If you have anyone in mind you would like us to interview for Savvy Spotlight, leave us a comment below with your recommendations!

The information provided in this interview is for general informational purposes only and does not constitute legal advice. Immigration cases vary significantly based on individual circumstances and require a personalized approach. Small Seasons strongly recommends consulting a qualified immigration lawyer to discuss your specific case.

Born and raised in Tokyo, Mai Shoji’s career journey reflects a deep connection to her roots and a curiosity about the world beyond. From her early years at Nishimachi International School to her high school days at the American School in Japan, Mai’s educational path took her through an international schooling system from a young age.

© Photo by Mai Shoji

A chance opportunity at an audition for the FIFA World Cup opened doors to a career in broadcasting, where she found her voice as a bilingual announcer. Her broadcasting career is extensive, including roles as a weather section anchor on NHK World’s “Newsline,” and serving as a main navigator on J-Wave radio where she had the opportunity to interview celebrities worldwide.

In addition to her broadcasting career, Mai has contributed significantly to various events and campaigns, serving as a bilingual MC and spokesperson for prestigious brands and organizations. She has also been actively involved in modeling, writing and translation, showcasing her versatility across multiple media.

Today, Mai’s journey continues as she balances her roles as a broadcaster, cultural ambassador and pronunciation coach. With each step, she remains committed to fostering understanding and appreciation between cultures, embodying the spirit of global citizenship in everything she does.

How did you discover your passion for various forms of media?

My father is a lyricist and my parents took me to many concerts and live entertainment events from a young age. I think attending these events since childhood naturally exposed me to the industry. I’ve always felt very natural in it. While there was a time when I had a singing career path laid in front of me during my teen years, it was in broadcasting that I found my true calling, using my voice to connect with audiences in unique ways.

Is there a particular career moment that stands out as a turning point or milestone?

The FIFA World Cup that I announced in 2002 was the start of everything. This event opened doors and helped me build connections that have continued to shape my career. Years later, the same people contacted me for other major events like the Tokyo 2020 Olympic and Paralympic Games. I was the English voice behind the opening and closing ceremonies.

What was it like to be part of such a globally significant event such as the Tokyo 2020 Olympic and Paralympic Games?

© Photo by Mai Shoji

It was an honor to be involved in the Olympics! But it honestly came with a lot of pressure as well, especially given the uncertainties surrounding its organization due to the Covid-19 pandemic. The experience required intense preparation and dedication, as I had to ensure I performed my best amidst the challenges and health risks. However, it was incredibly surreal and humbling to be part of an event that brought people together from around the world.

Looking back, is there a particular project you consider the most fulfilling? What made it stand out?

One project that truly stands out for me is the experience of writing my book, 22 English Pronunciation and Public Speaking Techniques. Initially, I planned a smaller, casual book about simple pronunciation differences like “R” and “L.” However, after working closely with my publicist twice a week to discuss and shape the book, the book ended up becoming a 300-page endeavor. It was time-consuming and challenging to ensure its relevance over the two years it took to write but it also became a very fulfilling experience for me. Years after it was published, CNN English Express featured my book, providing a platform to spread its message. I was so happy to see my efforts and passion for English pronunciation culminate in something meaningful.

What was the inspiration behind your focus on pronunciation?

© Photo by Mai Shoji

I believe that pronunciation is vital for effective communication and manners. In broadcasting, clarity can save lives, yet many underestimate its importance. My experience at NHK World, especially in news broadcasting, made me realize the need to improve pronunciation to better ensure understanding, especially among Japanese audiences not exposed to global news.

As someone who has worked both in Japan and on the international stage, how do you navigate the complexities of bridging cultural gaps and language differences?

For me, it’s all about ensuring clear communication and genuine connection. Whether I’m working in Japan or on the international stage, I prioritize making sure that everyone understands what I’m saying. This means speaking slowly and clearly, and sometimes even imagining I’m talking to someone dear to me, like my grandmother, to ensure my message resonates with everyone, regardless of their background. It also helps to be a people lover! Seeing the good in everyone fosters a positive atmosphere of understanding and respect.

Given your multifaceted career, what sort of things do you do on your time off?

I love singing! I even had an amazing opportunity to perform at the Fuji Rock Festival in 2022. I love hanging out with friends and going to karaoke too. When I’m winding down, I’ll be watching movies with my daughter and mother. In the past when working for J-Wave Radio I had to watch over 300 movies a year. The amount of movies I had to consume at once occasionally felt force-fed but it also shaped a part of who I am today. Nowadays, I can relax and enjoy them in my own time.

For individuals aspiring to follow in your footsteps, especially in the realm of freelance announcing, what advice would you offer?

Freelancing has its ups and downs. It offers flexibility, but there’s always the uncertainty of where the next job will come from. Always be open to meeting new people! Leaving a good impression on the people you meet onsite is the key to getting called back to work on new projects. My motto is to deliver three times more than what’s expected from you. This has shaped my career and why I’m able to continue working in this industry. Many of my job offers are “repeats” where I’m called back by organizations I’ve worked with in the past, such as annual award ceremonies or events. Being yourself wherever you go and remembering your liaison, as in who connected you to whom, are both equally very important. Building and maintaining these connections is key to navigating the freelance landscape successfully.

Looking toward the future, what aspirations or goals do you have for your career and personal life?

© Photo by Mai Shoji

I’ve been contemplating my next steps quite a bit lately. Professionally, I’m considering launching a pronunciation and public speaking coaching school. It’s something I’m truly passionate about and I see it as a way to contribute positively to communication education, particularly in Japan. Many people here don’t have the confidence to speak English. I believe that improving pronunciation could be one of the keys to the breakthrough they need. It’s something that can open their doors to the global stage. I also believe it’s valuable for my students to have a basic understanding of Japanese culture. Therefore, I strive to ensure they are equipped to share insights into Japanese aesthetics and the beauty of Japan with others.

Find out more about Mai and her work endeavors over on her official website. You can also find Mai’s book, 22 English Pronunciation and Public Speaking Techniques, on Amazon. The book makes a great gift for Japanese friends working on their English proficiency!

Savvy Spotlight is a monthly feature introducing foreign and Japanese women at the frontline of what’s successful, contributing, cool, unique and interesting in the city. If you have anyone in mind you would like us to interview, leave us a comment below with your recommendations!

© Photo by Kentaro Kumon

Rebecca’s venture into hospitality all started at a local fish and chip shop which eventually evolved into an impressive 17-year tenure with the InterContinental Hotels Group (IHG). From her homeland’s Queenstown to the Australian cities of Adelaide and Melbourne, as well as time in the UK and Fiji, she embraced diverse roles in the service and hotel industry. Now at the helm of Hotel Indigo Tokyo Shibuya, which opened its doors in August 2023, Rebecca reflects on her remarkable experiences, showcasing her passion for hospitality and the exciting chapters that lie ahead.

How have you personally grown or evolved through your various roles and responsibilities in the hospitality industry?

Through my 17-year journey with IHG and working across diverse cultures and countries, I feel that I’ve grown immensely, shaping who I am today. In this job, you learn about the important things in life, all of our guests have a reason to stay with us, and through them, we in turn can experience the highs and lows of life. Through our guests, we are lucky to witness some of life’s greatest moments, from birthday and anniversary celebrations, weddings and family reunions, to the pure joy of people experiencing and discovering new places for the first time. Despite the occasional challenges, I am grateful to feel part of the incredible moments. This exposure has grounded me and built up my resilience. I’ve become a calm person, thanks to these experiences. I continue to grow, and the learning never stops, which is something I truly appreciate.

As one of very few female General Managers in Tokyo’s hotel industry, how would you describe your leadership style and the principles that guide your decisions?

© Photo by Kentaro Kumon

My leadership style is primarily democratic—empathetic, collaborative and empowering. I believe in involving the team as they bring everything to life. I also adapt to various leadership styles when needed—strategic, visionary, pacesetting and transformational. While I have my natural style, I recognize the importance of adapting to individuals’ needs too. There are times when making the final decision is necessary, and I don’t shy away from it. Leadership can sometimes be lonely and tough decisions must be made, but at the end of the day, I weigh the priorities and benefits, and strive for balance.

In your career, have you encountered any significant challenges, especially as a woman in a leadership role? How did you navigate and overcome them?

In the early days, there was a lack of representation for female leaders and I didn’t see people like me in top roles. It’s different now, but I still deal with being in the minority. Imposter syndrome was a struggle but I’ve learned to overcome it. People are often surprised I’m a General Manager, and it happens a lot. There are still challenges, like microaggressions and gender stereotypes but I see it as an opportunity to drive positive change. I make sure to attend industry events, even if I’m the only woman, to contribute to that change and support others. 

What advice would you offer for aspiring women leaders in the hospitality field based on your experiences?

Believe in yourself; a great career in hospitality is not only possible but amazing. Don’t hesitate to apply for opportunities—even if you don’t feel fully ready. Have confidence and put yourself out there! Diversify your skill set, stay true to yourself and don’t try to be someone you’re not.

Don’t hesitate to apply for opportunities—even if you don’t feel fully ready. Have confidence and put yourself out there!

Women don’t need to fit into an old-school masculine leadership mold. You can be kind, soft, vulnerable and still be a leader. Be unapologetically yourself!

Can you share a particularly memorable or rewarding moment from your career or life journey in Tokyo?

Opening Hotel Indigo Tokyo Shibuya stands out as a truly unforgettable experience. It was challenging, eye-opening and required hard work. It made me feel vulnerable at times yet incredibly satisfied. It was a career highlight, especially as it was my first pre-opening, something I hadn’t done before.

Another significant moment was leading the team through the COVID-19 pandemic and emerging successfully on the other side. That was when I first arrived in Tokyo back in 2019 after taking on the role of Assistant General Manager and later Acting General Manager in 2022 over at the InterContinental the Strings Tokyo in Shinagawa. The team’s resilience and success during that time were remarkable, and I’m grateful for the lessons learned.

With Hotel Indigo Tokyo Shibuya being your first pre-opening, did you run into anything unexpected?

When we were about to open the hotel, we had a pre-opening party with over 200 guests. Just minutes before it started, the fire alarm went off due to some barbecue smoke. It felt like a disaster at the time but it was fixed in five minutes. It was a testing moment, but my team was responsive. The party turned out incredible, and now we can laugh about it!

How do you balance your professional responsibilities with your personal life?

Balancing work and personal life is crucial for me, and I take pride in doing it well. Last year was different due to the hotel opening, which consumed a lot of my time. I usually set boundaries to relax and unwind, as I want a healthy separation between work and personal life. I try my best to prioritize my health and maintain a balanced lifestyle as it sets a good example for my team too.

What hobbies or interests do you have outside of work?

Outside of work, I’m very active and love hitting the gym and going hiking. Reading and traveling are also top on my list, and spending quality time with friends is important to me too. I often travel to Karuizawa and Hakone, and I’ve explored various other places in Japan, including Osaka, Hiroshima, Okinawa, Nikko and more. I also have a creative side and enjoy activities like painting, drawing and pottery. 

Looking ahead, what are your professional goals and aspirations for the future, both for yourself and Hotel Indigo Tokyo Shibuya?

Looking ahead, my professional goals for Hotel Indigo Tokyo Shibuya are deeply intertwined with creating a vibrant celebration of all things Shibuya. I envision our hotel as the employer of choice, known for providing a fantastic work environment where the team can thrive, grow and contribute meaningfully to our guests’ experiences. Diversity, equity and inclusion are paramount to me, and I’ve worked to create a culture that celebrates these values. From gender-neutral uniforms to an inclusive setup in our facilities, I aim to foster an environment that welcomes everyone.

Beyond that, I’m eager for the hotel to become an inclusive space for both guests and our team. I aspire for it to be a bustling and popular destination that people genuinely want to visit. It’s crucial for us to embed ourselves in the rich culture of Shibuya and give back to the community. Working collaboratively with the neighborhood is a key aspect of our operations.

It’s crucial for us to embed ourselves in the rich culture of Shibuya and give back to the community.

On a personal note, I plan to continue focusing on my well-being in 2024, emphasizing holistic health and mindfulness. After a significant professional year in 2023, I aim to strike a balance, ensuring I’m present and at my best for both myself and those around me. The excitement for what lies ahead is palpable, and I’m ready for the challenges and successes that the future holds.

Follow Rebecca’s Instagram for more insight into her colorful life or connect with her over on LinkedIn.

If you’re looking for art-filled accommodation in the heart of Shibuya, visit Hotel Indigo Tokyo Shibuya’s official website or Instagram for more information.

Savvy Spotlight is a monthly feature introducing foreign and Japanese women at the frontline of what’s successful, contributing, cool, unique and interesting in the city. If you have anyone in mind you would like us to interview, leave us a comment below with your recommendations!

© Photo by Yurie Collins

Yurie Collins, with a blend of Japanese and American heritage, grew up in a small Japanese town in Wakayama. She pursued theater and literature at college in Boston, later immersing herself in acting in New York City. Returning to Japan during the pandemic, Yurie delves into stand-up comedy, connecting with audiences from around the world.

What inspired you to pursue a career in comedy, and how did you end up in Tokyo?

I was inspired to try comedy when a fellow female comedian in Tokyo reached out after seeing my “Bring Nothing to the Table” video on social media. She suggested that Tokyo’s comedy scene needed more funny women. I accepted the challenge despite the male-dominated environment, viewing it as an opportunity to connect with diverse audiences.

Have you faced any unique experiences or challenges as a female comedian in the Tokyo comedy scene?

It can be tough when the audience is mostly male because there’s sometimes a perception that a funny woman is threatening to men. This dynamic can make performances challenging, but I don’t mind being a little threatening. I appreciate the challenge of making everyone laugh, even if not everyone finds me funny.

How has living in Tokyo influenced your comedic style and material?

© Photo by Shelley Smith

Living in Tokyo has a significant impact on my comedic style. I draw inspiration from personal experiences, discussing what I find funny and relatable. I often touch on universal Tokyo experiences, like navigating trains or pedestrian crossings, creating a shared understanding in a diverse audience. Discussing topics like dating in Japan compared to New York also adds a personal touch to my shows and resonates with the international audience.

Comedy often reflects cultural nuances. How do you navigate cultural differences and connect with audiences in Tokyo?

Performing in Tokyo does require a nuanced approach. In New York, I can generally predict the audience’s progressive stance, but in Tokyo, it’s more diverse. I strive to make people laugh but I have no interest in pandering to any particular belief. I think comedy should sting a little.

I’ve come to realize that being likable and authentic transcends linguistic differences.

Performing for a Japanese audience, in particular, poses unique challenges. The audience might initially interpret jokes as serious information, requiring me to be clearer in distinguishing humor. Despite the language barrier, however, I’ve come to realize that being likable and authentic transcends linguistic differences. Whether in English or Japanese, connecting with the audience hinges on relatability and genuine self-expression. It’s about making people comfortable and rooting for you, even when tackling unconventional or uncomfortable topics.

How do you balance the demands of your comedy career with everyday life in the city?

Juggling my comedy career and daily life in Tokyo is like navigating a whirlwind. Despite being disorganized, I manage a stream of tasks. Part of my income comes from online content creation, both personal and client-based. I also juggle various auditions and meetings while I edit content before I perform comedy live at night. It’s a hectic balancing act, demanding organizational skills I sometimes lack. I strive for discipline, work out daily and attempt to maintain a healthy diet—though it’s admittedly challenging. The demands can be overwhelming, but I appreciate the variety and try to stay disciplined amidst the chaos.

Is there anything else you’re working on right now?

Beyond comedy, I’m immersed in a couple of exciting projects. I’m working on a script for a television series that has been brewing in my mind for ages. In addition, I’ve ventured into filmmaking, completing my first short film last year. Recently, I directed my second short film too. While I’m not acting in the films, gaining directing experience aligns with my three-to-five-year plan. I eventually aim to fully produce and star in my television series.

Could you tell us a bit more about your film directing and what got you involved in that?

I used to be active in activism, particularly with climate justice groups in New York. My short film #SPONSORED is a fictional dystopian thriller, a protest film that revolves around climate change and neoliberalism. Integrating my activism into my art is crucial to me, and I’m gradually finding ways to incorporate it into my material.

Do you incorporate that activist side of you into your comedy as well?

© Photo by Shelley Smith

I believe artists should strive to be “thermostats” rather than “thermometers.” A thermostat controls the climate, influencing and shaping it, while a thermometer merely reflects the existing climate. I see this as a goal for myself in the comedy scene, to actively contribute to its direction rather than merely reacting to it. Influential figures like Jordan Peele, who is masterful in both comedy and filmmaking, inspire me. I also admire George Carlin and Michaela Coel for their impactful work, particularly Coel’s truthful and biting humor in “I May Destroy You” on HBO.

So what would you say your overall artistic style is like?

My style is more grounded and real, focusing on everyday situations and tweaking them for comedic effect. While I enjoy offering an escape through my work, I also aim to provide a strong reminder of reality. Fantasy is appealing, but it always originates from a real place. I aspire to create content that, even if it’s a temporary escape, leaves a lasting impression on how people perceive reality. 

What advice would you give to aspiring female comedians looking to make their mark in Tokyo’s comedy scene?

My advice would be a blend of lessons I’m still learning myself. Firstly, learn from others without falling into the comparison trap. Every artist’s journey is unique and focusing too much on others can be a distraction.

If comedy is your calling, dive in, get on stage and accumulate as much stage time as you can.

Specifically for comedy, the fear of not being ready often holds people back. Don’t wait for the perfect set of jokes. Write, yes, but recognize that there’s a lot you can only learn by taking the stage. Embrace the nerves, the uncertainty and just get up there. Whether you shine or stumble, each experience is a step forward. Consider open mics as a learning ground and, most importantly, do it because you want to, not out of obligation. If comedy is your calling, dive in, get on stage and accumulate as much stage time as you can. It’s a journey, and every step counts.

With Tokyo being a dynamic and ever-changing city, how do you see the future of comedy and your role within it here?

In Tokyo, I genuinely hope the comedy scene flourishes further. It surprised me to discover an English stand-up scene here, and since then, it’s already expanded. With the pandemic easing, more people are arriving, drawn to Tokyo’s international vibe. While Japanese comedy, like manzai (a traditional style of comedy in Japan), has its unique style, there’s a growing interest in English comedy. My wish is that more locals discover these shows and join the laughter. As long as we continue performing and strive for excellence, I believe the comedy scene will naturally grow with time.

Do you ever perform in Japanese?

© Photo by Shelley Smith

Yes, I come up with content in a way that’s similar to my English material, but I adjust it a bit. In Japanese, I often get inspiration from everyday conversations, like chatting with my nail lady at the salon. We talk about specific things, like shows we watched or experiences I had, and if something funny comes up, I jot it down. It’s a mix of observing daily life and having amusing conversations with people.

You often perform live at Tokyo’s first and only English comedy bar. Could you tell us more about that?

Absolutely! Tokyo Comedy Bar hosts comedy shows every night, usually with regular weeknight performances. However, they often feature themed shows, and one standout is the “No-Bro Comedy Show” held every first Wednesday of the month. It’s a platform for comedians from the queer and female community, providing a welcoming space beyond the typical cis-straight male-dominated comedy scene. It’s an incredibly supportive and warm environment.

the “No-Bro Comedy Show”…It’s a platform for comedians from the queer and female community

Additionally, there are special Hafu Comedy Nights where we share our experiences, particularly about being biracial in Japan. Beyond that, there are recurring shows with unique themes, like “Roles for Initiative” on Sundays. This Dungeons & Dragons-inspired show not only brings laughter but also supports a good cause—proceeds go to Tokyo Lifeline, a mental health hotline for English speakers. Tokyo Comedy Bar is such a vibrant space with diverse themes, and new, exciting shows are constantly popping up!

© Photo by Shelley Smith

Watch Yurie perform live over at the Tokyo Comedy Bar in Shibuya or follow her over on TikTok or Instagram for her hilariously relatable content.

For those interested in her short film, you can watch the trailer for #SPONSORED via this Instagram link.

Savvy Spotlight is a monthly feature introducing foreign and Japanese women at the frontline of what’s successful, contributing, cool, unique and interesting in the city. If you have anyone in mind you would like us to interview, leave us a comment below with your recommendations!

Shine On! Kids is a nonprofit organization (NPO) in Japan, originally founded as the Tyler Foundation by Kimberly Forsythe and her husband in 2006. It received Nintei NPO certification from the Japanese government in 2012. Through special programs, counseling services and collaborations with healthcare professionals, Kimberly and her team bring joy, comfort and positivity to seriously ill children and their families. Savvy Tokyo sat down with Kimberly to learn more about how and why she was able to accomplish all this.

© Photo by Kimberly Forsythe

What brought you to Japan and where are you from originally?

My father was transferred to Tokyo to set up a joint venture with a Japanese steel company. I, originally from Pittsburgh, PA, came to visit him and really never went home. I officially moved to Japan in 1990 and met my husband here in 1993. I had my daughter in 2000 and my son, Tyler, in 2003.

What has your career been like in Japan since arriving?

Although I studied systems engineering in grad school, I ended up with a very successful career as a voiceover artist—which I loved! I have done everything from documentaries, on-camera television news, InterFM and NHK radio, train announcements, car navigation, video games, Iron Chef U.S. and billions of educational recordings. You name it, anything in English, I have done it!

Do you still do voice-acting work? 

I do it a little bit remotely. I do a regular program for NHK called Seasoning Seasons, some educational stuff once a week and a commercial or something here and there.

Could you tell us the story of how Shine On! Kids came to be?

My son Tyler was born in Japan. As soon as I brought him home from the hospital, I felt like something was wrong. Although others reassured me, I couldn’t wait for his one-month check-in and decided to take him back to the hospital. He was diagnosed with leukemia and hospitalized immediately. Tyler underwent very serious chemotherapy and surgeries, but through it all, was a very smiley and joyful baby. Everybody loved him.

© Photo by Kimberly Forsythe

Hospitals are very boring, the kids have nothing to do, they can’t see their friends and they’re isolated. Most children’s hospitals have four beds in a room for patients and parents where they’re together every day—all day. Although there are good days, it’s endlessly stressful and frightening to see others suffer pain and loss around you. The medical care was great but there was nothing there to support mental health.

After two years, we lost Tyler. There was no sense to make of it. In an effort, my husband and his friends suggested we have a cricket match to raise money for the hospital. However, we couldn’t just give the hospital money, it doesn’t work like that. I talked with a doctor who asked what I wanted to do. I wanted to help the people who were going through what I had gone through those past two years. Tyler’s doctor suggested we start our own NPO; The Tyler Foundation which later became Shine On! Kids.

I wanted to help the people who were doing what I had done those past two years.

We held a fundraiser and got a lot of support from the International community but as time went on I realized there were people who needed support all over Japan. And to do that we needed to define and create processes to easily spread these programs.

How do the programs differ from what other hospital volunteer groups provide?

We decided early on that we wanted medical professionals to be executing our programs. I really wanted to create programs that were going to fundamentally support the stress that people were having, and the kid’s emotional wellness.

Were there any challenges you faced when first starting the foundation?

Starting an NPO is like starting a business. Luckily, my husband, Mark Ferris, took care of the business side of things while I got started with the program side. I did my research and went to children’s hospitals in the U.S. and Australia to see what kind of programs were working, the ones kids really loved.

However, I had to acknowledge that the medical systems and cultures of these countries are quite different to Japan. For example, when I wanted to bring a dog into a Japanese hospital back in 2008, people thought I was crazy! I presented evidence that it was safe and data to show the positive impact a facility dog could have on hospitalized children, however, it took nearly two years to finally launch the program.

Why did you decide to start an NPO in Japan instead of your home country?

Shine On! Kids is our giving back to Japan. If we were in the U.S. a bone marrow transplant isn’t paid for by insurance. The amount of money the Japanese health system supported us with, we wanted to give back and say, thank you. We’re grateful for the care and medical support we received. Everything we do is for Japan.

Shine On! Kids is our giving back to Japan.

Even though I’m in Australia now, I’m online with my team in Japan every day. I’m in Japan five, six times a year. We have a really close relationship. I mean, I lived in Japan for 22 years and all of my adult life. It really is my home, in many ways.

What advice would you give to others who wish to start an organization like Shine On! Kids in Japan?

You must really, really want to do it. Running an NPO is a labor of love and must be fed by a passion for your cause and mission. It’s not a cruisy “lifestyle” business.

What sort of programs does Shine On! Kids have and how can we help?

We have the Beads of Courage® program, something called Camp Courage for Survivors where kids who have had cancer help other kids who are going through cancer, and of course, the facility dog program—which we love. Help can be given in the form of direct donations, sponsorships for our events and participation in our programs.

What is the Beads of Courage program?

In the Beads of Courage® program, a child receives a beautiful glass bead that corresponds to each part of their treatment. If they get a blood test, they get a red bead, white for chemotherapy, a glow-in-the-dark bead for radiation, a rainbow bead for rehabilitation, a bead with a little face when they lose their hair and so on.

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A post shared by シャイン・オン！キッズ_BOC (@shineonkids_boc)

Once a week, an ambassador, usually a nurse or psychologist, will come to the bedside of each child to talk about what they’ve done that week. The child collects their beads and puts them on a string which becomes a tangible expression of all the courageous stuff they did. For a child with cancer in the hospital for one year, they might collect 900 beads. And because the beads are made of glass, they’re heavy. Everyone can look and feel the weight of what they’ve gone through. It’s a visual representation of their journey and courage, and it’s really powerful in its simplicity—the children feel quite proud of it.

If you’re going to do a marathon or a hike up Mount Fuji, for example, we can send you a set of two matching beads and a little card that you carry during your challenge. Marathon runners would say that when they want to give up they think of the beads and the children in the hospital and what they’re going through. It really pushes them to keep on going.

It’s a visual representation of their journey and courage, and it’s really powerful in its simplicity—the children feel quite proud of it.

And when you’re done with the challenge, you keep one of the beads, and the other goes to our repository of beads. These are some of the most special beads that kids get when they really need an extra boost of courage or confidence. It’s really beautiful and the people who do it, love it. And you can do it again and again, and collect your own beads of courage.

What are the events like?

They’re all different. We’ve been collaborating on the execution of Executive Fight Night, (a fundraising event where normal “corporate types” train hard for three months to get into the boxing ring with their peers) with Club 360 for years. Some people don’t like boxing, and that’s fine, but the connection the kids have with the boxers—who they actually meet a month before the event—it’s beautiful. The kids are like, “Yeah, they’re fighting for us”, and the boxers are like “We’re fighting for you”, and the kids are cheering for the boxers who are cheering for them. When you look behind the scenes, it’s just a great event.

What’s ahead for you and Shine On! Kids?

Currently, we have initiatives in 28 hospitals. However, I believe our programs should be a standard part of pediatric medical care in every children’s hospital. Not something “nice to have” but something essential that is part of complete patient care. Our programs empower and build resilience in kids. Many of the kids we helped 10 to 15 years ago are pursuing careers in medicine because they were so touched and inspired by the power of our programs.

I believe our programs should be a standard part of pediatric medical care in every children’s hospital.

We wouldn’t be where we are today if we didn’t have the understanding and support of the international community. In the beginning, we were in a unique position to quickly make progress. For sustainability, however, we need to be supported by the Japanese community. So part of our goal is to inspire and educate the Japanese community about the importance of feeling part of your local community, and doing whatever small thing there is to support that.

© Photo by Kimberly Forsythe

Shine On! Kids is my passion—my ikigai. It’s my joy to take the unacceptable event of losing Tyler and turn it into something positive and powerful to change the lives of kids and their families going through what we went through.

For more information check out the Shine On! Kids official website where you can read more about Tyler and the Beads Of Courage® program.

• The upcoming Executive Fight Night event is to be held on May 26th, 2023 where all proceeds will benefit the Shine On! Kids’ Hospital Facility Dog Program.
• For adorable pictures of their Facility Dog Program visit their official Instagram @facilitydogs_sok.
• For those who want to support Shine On! Kids via direct donation, visit this official donate link.

Savvy Spotlight is a monthly feature introducing foreign and Japanese women at the frontline of what’s successful, contributing, cool, unique and interesting in the city. If you have anyone in mind you would like us to interview, leave us a comment below with your recommendations!

One thing you’ll learn soon after arriving in Japan is that Japanese people love to say compliments. Greet them with konichiwa (hello) and you’ll quickly be applauded for your amazing Japanese abilities. Of course, for those of us who have lived in Japan for long enough, it does become quickly repetitive. It’s often linked as being quite microaggressive too, but that’s a whole other topic.

You’ll quickly find that the Japanese (along with many other Asian countries) have very high respect for natural Western beauty. They often hold it to a high standard they feel they must replicate. In almost every Japanese drugstore or variety store you will see aisles of skin whiteners, double eyelid-making glues, face slimmers, body slimmers and nose-lifting clips, all to keep up to that beauty standard.

© Photo by iStock: metamorworks

Considering that highly sought standard of beauty, you can start breaking down the strange remarks you, as a foreigner, may receive. You’ll find that they’re not just pointing out your body parts to you​​—they’re actually complimenting you! Of course, you still have every right to feel unsure about it. However, it’s always nice to know that they mean well when saying them.

Another thing to keep in mind is that Japanese people are polite but not discrete. Pointing things out about physical appearance is an everyday thing here in Japan, and not only directed to foreigners. Many Japanese people won’t hold back when making verbal observations. They will discuss people having put on weight, losing hair, having acne and other things people can’t fix immediately. Japanese youth and young adults not as much, but children, the middle age and the elderly can be quite brutal. However, this doesn’t necessarily mean every observation is a rude one. 

Here are five common Japanese ‘compliments’ that could potentially sound off to those of us from the West. Let’s dissect them and find out what Japanese people really mean by it:

“Hana takai ne (Your nose is so tall)”

© Photo by iStock: VladimirFLoyd

Having the shape of your nose pointed out can make anyone self-conscious. What the Japanese mean by this however is that you have a beautifully well-defined nose that protrudes from your face. A perfect side profile! When compared to a typical east Asian nose, where the nose is more often lower with smaller and weaker lateral cartilage, any nose with a nice “tall look” seems more out there (literally), exotic and in this case more beautiful (according to Japanese beauty standards).

It all comes down to people wanting what they don’t have. Just the same way someone with a bigger nose may want it to be smaller. The Japanese, who more often have lower noses, want tall ones! So, when they see a nice tall nose, they can’t help but point it out. You might even get “big nose” or “nose like a tower.” However, again, as off as it sounds, they are more often just complimenting you.

“Ashi nagai ne (You have such long legs)”

© Photo by iStock: Sharon Gallo

Being told you have long legs will probably make you feel like a giraffe at first, but this one is all about proportions. When a Japanese person points out your long legs they are referring to how well-proportioned your legs are to the rest of your body. Think of anime characters, especially characters like Sailor Moon, where their legs are a good length longer than the rest of their body. This seems to be the desired body proportion in Japan.

According to Japan’s National Health and Nutrition Survey, the average height for Japanese women over 20 in 2019 was 154.3 centimeters. This number has actually grown by over 10 centimeters over the past century in Japan. However, when compared with the statistics from Western countries, many Japanese still look up (again, literally) to these height standards.

“Hada shiroi ne (Your skin is so white)”

© Photo by iStock: metamorworks

Getting your white skin pointed out by Japanese people can be quite confusing. Especially when the Japanese person pointing out your white skin has pretty much the exact same skin tone as you. And no, they’re not saying you look sickly or ghostly. This one all comes down to a controversial beauty standard that puts pure white skin above anything darker. 

Historically, since the Nara (710–784) and Heian periods (794–1185), white skin was believed to indicate an individual’s education level as well as their social and economic class. Darker skin alluded to the outdoor working class where they would soak and tan in the sun all day. During these times women began making up their faces with white powder to associate their status. After some time the Meiji government (1868–1912) opened Japan’s borders to the world and soon Japan was influenced by Western fashion and beauty.

Advertisements for fashion and beauty have since been taken over more than 50 percent by white Western models. Japanese beauty products are released under the name bihaku (the beauty of white) and are advertised to lighten the skin as well as remove impurities and blemishes.

Advertisements for fashion and beauty [in Japan] have since been taken over more than 50 percent by white western models.

Although you could definitely argue that Japan is still stuck in the past, white skin in Japan has been ingrained into their culture and history as an important facet of their beauty standard. The main point here is: having your white skin pointed out is a compliment in the eyes of Japan. Also, this one isn’t just pointed out to white-skinned foreigners. It is very common for Japanese people to comment on other Japanese with a lighter complexion. This is also why you will see Japanese people covering up their bodies even in the hot humid summer here. The less sun exposure, the whiter and younger you stay.

“Me maruine/ooki ne (Your eyes are so round/big)”

© Photo by iStock: RichLegg

This one follows the same idea as “tall nose”. No, they’re not saying you have strange big bulgy eyes like a popeye fish. This one just comes down to what East Asian features have less of. Which is commonly a double eyelid that rounds the eyes and makes them look bigger. Again, people want what they don’t have. Japan, the creator and ruler of anime, is simply envious of the bigger and rounder eyes that you often see reflected in “cute” and “beautiful” characters. So, when they see foreigners with these prominent features, they can’t help but want to point it out.

“Kao chisai ne (Your face is so small)”

© Photo by iStock: maruco

Getting told your face is small is actually another compliment about your proportions. It might sound like they’re making fun of your small head in comparison to your body, but it’s actually the other way around. They’re trying to compliment how well-proportioned your head is to the rest of your body. Other comments like “hosoi ne (your so thin)” and “ashi chisai ne (your feet are small)” are in this category too. They might even say you have “good style” but they’re not talking about your fashion sense. Instead, they’re referring to your well-proportioned physique.

Well, there you have it! Japanese comments that are technically complimenting you if you can wrap your head around where they’re coming from. You might not necessarily agree but it’s definitely a little easier to take in if you think of these comments as “you’re so lucky to have these physical attributes that I am envious of.”

Multiracial representation in the beauty industry is more important than ever.

It does also show how important it is for us all to promote self-love and acceptance here in Japan. These sorts of compliments often come from a lack of acceptance of natural East Asian features. Turning what they don’t have into envy and desire. Let’s make sure we’re promoting the beauty of all. Multiracial representation in the beauty industry is more important than ever. No one should feel as if their features are not as beautiful as another.

What other strange Japanese compliments have you received before? Let us know in the comments!